Royal Academy Of Arts Collection

Boy and Rabbit, 1814, (c1915). Artist: Henry Raeburn
Boy and Rabbit, 1814, (c1915). The painting is held by the Royal Academy of Arts, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Burlington House, Piccadilly, early 18th century, (1908). Artist: Johannes Kip
Burlington House, Piccadilly, early 18th century, (1908). The buildings today house the Royal Academy of Arts. A print from The Private Palaces of London by E Beresford Chancellor, (Kegan Paul)

Private view for Queen Victoria of an exhibition at the Royal Academy of Arts
FLO4669725 Private view for Queen Victoria of an exhibition at the Royal Academy of Arts. Steel engraving by Radclyffe after an illustration by Sargent from London Interiors

F. Leighton, A.R.A., E. W. Cooke, R.A., E. B. Stephens, A.R.A., P. H. Calderon, A.R.A., 1864. Creator: Unknown
F. Leighton, A.R.A., E. W. Cooke, R.A., E. B. Stephens, A.R.A., P. H. Calderon, A.R.A., 1864. Engraving from photographs by J. and C. Watkins

New Associates of the Royal Academy: Mr. W. F. Woodington, A.R.A. 1876. Creator: Unknown
New Associates of the Royal Academy: Mr. W. F. Woodington, A.R.A. 1876. Engraving from a photograph by Messrs. Fradelle and Marshall

New Associates of the Royal Academy: Mr. J. W. Oakes, A.R.A. 1876. Creator: Unknown
New Associates of the Royal Academy: Mr. J. W. Oakes, A.R.A. 1876. Engraving from a photograph by Messrs. Elliott and Fry

New Associates of the Royal Academy: Mr. G. A. Storey, A.R.A. 1876. Creator: Unknown
New Associates of the Royal Academy: Mr. G. A. Storey, A.R.A. 1876. Engraving from photographs by Messrs. Fradelle and Marshall, of Regent-street....Mr

New Associates of the Royal Academy: Mr. Eyre Crowe, A.R.A. 1876. Creator: Unknown
New Associates of the Royal Academy: Mr. Eyre Crowe, A.R.A. 1876. Engraving from a photograph by Mr. George Crowe. This versatile painter of figure subjects was born in 1821, in London

New Associates of the Royal Academy: Mr. Alma Tadema, A.R.A. 1876. Creator: Unknown
New Associates of the Royal Academy: Mr. Alma Tadema, A.R.A. 1876. Engraving from a photograph by Fradelle and Marshall of Regent-street

New Associates of the Royal Academy: Mr. E. Long, A.R.A. 1876. Creator: Unknown
New Associates of the Royal Academy: Mr. E. Long, A.R.A. 1876. Engraving from a photograph by Mr. Charles Watkins, of Parliament-street....At an early age he resolved to be a painter, though

Lady Hamilton, by George Romney, in the late exhibition of Old Masters, Burlington House, 1876. Creator: Unknown
Lady Hamilton, by George Romney, in the late exhibition of Old Masters, Burlington House, 1876. That too celebrated female beauty, Emma Lyons, a Welsh servant-girl

Bust of the late Viscount Hardinge, by J. H. Foley, in the Royal Academy Exhibition, 1860. Creator: Unknown
Bust of the late Viscount Hardinge, by J. H. Foley, in the Royal Academy Exhibition, 1860. The sterling qualities of the late Viscount Hardinge, Commander-in-Chief

Sculpture: "Chastity", by J. Durham, in the Royal Academy Exhibition, 1860. Creator: Smyth
Sculpture: "Chastity", by J. Durham, in the Royal Academy Exhibition, 1860. "Chastity" is here represented in a figure which, judging from the profile presented in the Engraving

Bust of the late Viscount Hardinge, by J. H. Foley, in the Royal Academy Exhibition, 1860. Creator: Unknown
Bust of the late Viscount Hardinge, by J. H. Foley, in the Royal Academy Exhibition, 1860. The sterling qualities of the late Viscount Hardinge, Commander-in-Chief

Sculpture: "Chastity", by J. Durham, in the Royal Academy Exhibition, 1860. Creator: Smyth
Sculpture: "Chastity", by J. Durham, in the Royal Academy Exhibition, 1860. "Chastity" is here represented in a figure which, judging from the profile presented in the Engraving

"Ruins of Castle Acre Priory, Norfolk", by R. P. Leitch, from the Royal Academy Exhibition, 1860. Engraving from a painting. The ruins of Castle Acre Priory, in Norfolk, dedicated to SS

"Peace" and "War" - John Bell, sculptor - from the Exhibition of the Royal Academy, 1856. The two "colossal statues of "Peace"

"The Arrest of John Brown, of Ashford, a Lollard, and one of the First Martyrs in the Early Part of Creators
"The Arrest of John Brown, of Ashford, a Lollard, and one of the First Martyrs in the Early Part of Henry VIII's Reign" - by A. Johnston - from the Royal Academy Exhibition, 1856

"The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Engraving of a painting, ...designed for the ladies, and is called "The Bride", one of Mr

'The Royal Academicians assembled in the council room, Somerset House 1793, 1886. Creator: Unknown
'The Royal Academicians assembled in the council room, Somerset House 1793, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886. Creator: Unknown
George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

Viewing the Exhibition of the Royal Academy, 1787, 1886. Creator: Unknown
Viewing the Exhibition of the Royal Academy, 1787, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

Exhibition at the Royal Academy, Pall Mall, 1771, 1886. Creator: Unknown
Exhibition at the Royal Academy, Pall Mall, 1771, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

"Time of the Persecution of the Christian Reformers in Paris, in 1559"... 1854. Creator: Harvey Orrin Smith
"Time of the Persecution of the Christian Reformers in Paris, in 1559" - painted by J.C. Hook, A.R.A. - from the Exhibition of the Royal Academy, 1854

The Wind on Shore - painted by T. Creswick, A.R.A. 1850. Creator: J Williams
The Wind on Shore - painted by T. Creswick, A.R.A. 1850....one of Mr. Creswick's fine pictures at the Royal Academy [in London]: it hangs in the East Room, and is, in the Catalogue, 8

The Arrival of the Coach - a Roadside Inn a Century Ago - painted by T. F. Marshall, 1850. Creator: Unknown
The Arrival of the Coach - a Roadside Inn a Century Ago - painted by T. F. Marshall, 1850....Mr. T. F. Marshall's single contribution to the Royal Academy Exhibition [in London]

Too Truthful - painted by A. Solomon, 1850. Creator: Unknown
Too Truthful - painted by A. Solomon, 1850. Painting...from the Middle Room of the Royal Academy Exhibition [in London], [which] illustrates a by no means uncommon artistic difficulty - that of

"Francesco Novello di Carrara and the Lady Taddea...", 1850. Creator: Unknown
No. 376. - "Francesco Novello di Carrara and the Lady Taddea escape from the Emissaries of Galeazzo Visconti" - painted by J. C. Hook, 1850. Exhibition at the Royal Academy in London

"James II. in his Palace of Whitehall, Receiving the News...", 1850. Creator: Unknown. "James II
"James II. in his Palace of Whitehall, Receiving the News of the Landing of the Prince of Orange in 1688" - painted by E. M. Ward, A.R.A. 1850. Exhibition at the Royal Academy in London

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

"Psyche Returning from the Infernal Regions with the Casket of Beauty"... 1850. Creator: Unknown
No. 151. - "Psyche Returning from the Infernal Regions with the Casket of Beauty" - painted by T. Uwins, R.A. 1850. Exhibition at the Royal Academy in London. The merit...belongs to Messrs

The New President of the Royal Academy - C. L. Eastlake, Esq. 1850. Creator: Unknown
The New President of the Royal Academy - C. L. Eastlake, Esq. 1850. Portrait of British art historian and painter Charles Lock Eastlake who has shown...his desire to reform the abuses

The late Sir Martin Archer Shee, P.R.A. 1850. Creator: Unknown
The late Sir Martin Archer Shee, P.R.A. 1850. Portrait of Irish painter and...venerable President of the Royal Academy [of Arts]...Sir Martin

Aholibah - painted by E. Armitage, 1850. Creator: Smith & Cheltnam. Aholibah - painted by E. Armitage, 1850
Aholibah - painted by E. Armitage, 1850. Exhibition at the Royal Academy in London. Mr. Armitage's Picture...is an embodiment of a passage in Ezekiel

Royal Academy Exhibition - No. 597 - "Contentment", painted by A. Rankley, 1850. Creator: Smith & Cheltnam
Royal Academy Exhibition - No. 597 - "Contentment", painted by A. Rankley, 1850. A cottager's parlour'. Interior with a family at the tea table; a young man in academic robes looks

Royal Academy Exhibition - No. 16 - "Samson Betrayed", painted by F. R. Pickersgill, A.R.A. 1850. Mr. Pickersgill...has found his subject in Scripture

"Hospitality - The Mote, Ightham, Kent"... 1850. Creator: Smith & Cheltnam
Royal Academy Exhibition - No. 221. - "Hospitality - The Mote, Ightham, Kent" - painted by J. C. Horsley, 1850. London exhibition of painting

The Child's Prayer - painted by R. Redgrave, A.R.A. 1850. Creator: T. Williams
The Child's Prayer - painted by R. Redgrave, A.R.A. 1850. [This] impressively devotional picture...is one of Mr. Redgrave's four contributions to the Royal Academy Exhibition [in London]

Royal Academy Exhibition - "The Infant Academy", Sir Joshua Reynolds, 1850. Creator: Unknown
Royal Academy Exhibition - "The Infant Academy", Sir Joshua Reynolds, 1850. London exhibition of painting. Sir Joshua Reynolds, the first President of the Royal Academy

The Royal Academy Prize Sculpture: "Adam and Eve", by George Slater, 1862. Creator: Unknown
The Royal Academy Prize Sculpture: "Adam and Eve", by George Slater, 1862. From "Illustrated London News", 1862

Sir J. Reynolds, (1723-1792), 1830. Creator: Unknown
Sir J. Reynolds, (1723-1792), 1830. Joshua Reynolds (1723-1792) English painter who promoted the Grand Style, founder and first president of the Royal Academy of Arts, knighted by George III in 1769

Woodcutters, late 1840s, (c1915). Artist: Constant Troyon
Woodcutters, late 1840s, (c1915). The painting is part of the collection of the Royal Academy of Arts, London. From International Art: Past and Present by Alfred Yockney

Royal Academy of Arts, Mayfair, London, England, Uk

England, London, Piccadilly, Burlington House, Royal Academy of Arts

Sir Joshua Reynolds, from Living Biographies of Great Painters
3960941 Sir Joshua Reynolds, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Sir Joshua Reynolds, 1723-1792. English portrait painter)

The soiree of the Royal Academy of Arts in Burlington House, London (litho)
3627024 The soiree of the Royal Academy of Arts in Burlington House, London (litho) by Finnemore, Joseph (1860-1939) (after); Private Collection; (add.info)

The Book of Fate, a Sketch at the Royal Academy of Arts (engraving)
1104977 The Book of Fate, a Sketch at the Royal Academy of Arts (engraving) by White, Edmund Richard (fl.1864-1908); Private Collection; (add.info.: The Book of Fate)

Visit of Queen Victoria and Albert, Prince Consort to the Royal Academy, London, 3 May 1849 (photogravure)
6033016 Visit of Queen Victoria and Albert, Prince Consort to the Royal Academy, London, 3 May 1849 (photogravure) by Amato, G.S

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The Royal Academy of Arts, located in Mayfair, London, England, is a prestigious institution that has played a significant role in the art world for centuries. Established in the early 18th century at Burlington House on Piccadilly, it has become synonymous with excellence and innovation. One of the notable artworks displayed at the Royal Academy is "Boy and Rabbit" by Henry Raeburn. Painted in 1814 but showcased around 1915, this masterpiece captures the innocence and charm of childhood through its delicate brushstrokes. Another captivating piece exhibited at the academy is Johannes Kip's "Burlington House, Piccadilly. " Created in 1908 but depicting an earlier era, this artwork showcases the grandeur of one of London's iconic landmarks during its early years. Constant Troyon's "Woodcutters, " painted in the late 1840s but presented to audiences circa 1915, portrays laborers engaged in their daily tasks. This evocative painting highlights Troyon's mastery of capturing scenes from rural life with remarkable detail. The Royal Academy itself stands as a testament to artistic brilliance. Its elegant architecture and rich history make it an ideal setting for showcasing some of the finest works ever created and has been instrumental in nurturing talent and promoting artistic expression throughout its existence. Sir Joshua Reynolds' contribution to art cannot be overlooked when discussing the Royal Academy. As one of its founding members and later serving as its president from 1768 until his death in 1792, Reynolds left an indelible mark on British art history. The academy also hosted various events that attracted esteemed guests like Queen Victoria and Prince Albert. Their visit on May 3rd, 1849 was captured forever through a mesmerizing photogravure that immortalizes their appreciation for fine art. Even satirical cartoons found their place within these hallowed walls.