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Burning a Buddhist Image, late 18th-early 19th century. Creator: Hokusai
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Burning a Buddhist Image, late 18th-early 19th century. Creator: Hokusai
Burning a Buddhist Image, late 18th-early 19th century
Heritage Images features heritage image collections
Media ID 23861581
© Heritage Art/Heritage Images
Album Arthur M Sackler Gallery Buddhist Buddhists Burning Freer Gallery Of Art Hokusai Hokusai Katsushika Hokusai Tokimasa Ink And Color On Paper Ink On Paper Kako Katsushika Hokusai On Fire Saki No Shunrō Sorobeku Tatsumasa Tools Zen No Hand Gesture
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Caption: "Burning a Buddhist Image, late 18th-early 19th century" is an intriguing print created by the renowned Japanese artist Hokusai during the Edo period. This artwork, housed in the Arthur M Sackler Gallery of Art and Freer Gallery of Art at the Smithsonian Institution, depicts a significant cultural event from Japan's history. In this scene, we witness a group of men fervently burning a Buddhist image as part of their religious practice. The vibrant colors and meticulous ink work on paper bring to life the intensity and solemnity surrounding this ritualistic act. Hokusai masterfully captures the moment with his signature style, showcasing his artistic prowess. The composition showcases various elements that provide insight into Japanese society during that time. The individuals involved are depicted gesturing passionately while wielding tools such as an axe, symbolizing their commitment to their beliefs. Through this painting, Hokusai invites us to contemplate themes of religion, spirituality, and tradition within Japanese culture. As one delves deeper into "Burning a Buddhist Image" it becomes evident that Hokusai skillfully combines historical accuracy with artistic expression. His attention to detail transports viewers back in time to experience this profound event firsthand. This exceptional piece serves as both an educational tool for understanding Japan's rich heritage art and a testament to Hokusai's enduring legacy as one of Japan's most celebrated artists.
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