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Caricatures of London newspapers, 1833, (1945). Creator: Unknown
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Caricatures of London newspapers, 1833, (1945). Creator: Unknown
Caricatures of London newspapers, 1833, (1945). McLeans Monthly Sheet of Caricatures, No.38: Suckle Fools & Chronicle small Beer; We have fallen upon evil Times; Herald of the Morn [a crow says Cock a doodle doodle doo. More eggs granny for you to suck ]; This luminous body is known to have Spots, even the True Sun; The Courier - From morn till noon he fell, from noon till dewy eve; The Great Globe itself shall perish & leave not a wreck behind. A Squeeze for the Press. Cartoon from " The Looking Glass or Caricature Annual", 1833. Published in " British Journalists and Newspapers", by Derek Hudson. [Collins, London, 1945]
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Media ID 19777546
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Back To Front Backwards Britain In Pictures Burning Chicken Cock Cockerel Collins Crowing Dawn Derek Derek Hudson Devil Evil Grandmother Hudson Mclean Money Oblivion Oblivious Position Quill Pen Rooster Satan Social History T Mclean The Times Thomas Mclean Thos Times William Collins William Collins And Sons The Globe
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EDITORS COMMENTS
This print showcases a collection of caricatures from London newspapers in 1833, captured in the year 1945. The creator of this intriguing piece remains unknown, adding an air of mystery to these satirical illustrations. Titled "Caricatures of London newspapers" it features various comical scenes and captions that provide insight into the social and political climate of the time. The image includes a range of elements such as animals, including a horse and a crow, symbolizing different aspects of British society. A grandmother figure is depicted with eggs to suck while a luminous body with spots represents the flawed nature even within esteemed institutions like the True Sun newspaper. The Courier's downfall throughout the day is humorously portrayed, highlighting its diminishing influence. These caricatures also touch upon themes like money, finance, science, and astronomy by incorporating burning solar systems and references to oblivion. With their clever use of color and quill pen drawings reminiscent of 19th-century artistry, these illustrations offer both entertainment and historical value. Published in Derek Hudson's book "British Journalists and Newspapers" in 1945 under Collins Publishers' imprint in London adds further context to this fascinating visual representation. This print serves as a reminder not only of the rich history behind British journalism but also how satire has long been used as a tool for commentary on societal issues.
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