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Cavalry Charging, from the first issue of Specimens of Polyautography, 1801, published 1803. Creators: Johann Conrad Gessner, Philipp André, James Heath
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Cavalry Charging, from the first issue of Specimens of Polyautography, 1801, published 1803. Creators: Johann Conrad Gessner, Philipp André, James Heath
Cavalry Charging, from the first issue of Specimens of Polyautography, 1801, published 1803
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Media ID 36205863
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Cavalry Cavalryman Cavalrymen Charge Charging Riders Specimens Of Polyautography Swiss Switzerland Troops Wove Paper Aquatint Conrad Gessner James Heath Lithotint
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EDITORS COMMENTS
Cavalry Charging," a captivating lithograph from the first issue of "Specimens of Polyautography," published in 1803, showcases the artistic collaboration between Swiss naturalist Johann Conrad Gessner, Philipp André, and English printmaker James Heath. This masterpiece, now housed at the Art Institute of Chicago, is a testament to the artistic and technical innovations of the early 19th century. Gessner, a renowned naturalist and encyclopedist, conceived the idea for "Specimens of Polyautography," a groundbreaking work that aimed to combine various artistic techniques to create detailed and accurate depictions of animals. He enlisted the help of André, a skilled draftsman, to create the original drawings, which were then transferred to Heath for lithographic reproduction. The resulting image, "Cavalry Charging," is a stunning representation of a cavalry charge, with horses and riders in full gallop, their muscles taut and forms dynamic. The intricacy of the details, from the individual hairs on the horses' manes to the folds in the riders' uniforms, is a testament to the artists' skill and dedication. The lithograph, executed in black on cream wove paper and tipped onto a mount, is a remarkable example of the aquatint and lithotint techniques, which allowed for a wide range of tonal values and textures. This image, with its historic significance and artistic merit, continues to captivate viewers and offer insights into the rich cultural heritage of the 19th century. Whether viewed as a work of art or a historical artifact, "Cavalry Charging" stands as a testament to the collaborative spirit and technical innovation of its creators, Gessner, André, and Heath. It remains an enduring symbol of the power and beauty of the printed image.
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