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Censer, 11th century, (1870)
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Censer, 11th century, (1870)
Censer, 11th century, (1870). A censer recalling the shape of the Temple of Jerusalem, in copper repousse, formerly in Metz Cathedral and later transferred to Treves. A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)
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Media ID 14907774
© The Print Collector / Heritage-Images
11th Century Censer Copper Ecclesiastical Eleventh Century Jerusalem Lacroix Paul Paul Lacroix Repousse Print Collector2
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EDITORS COMMENTS
This print showcases a remarkable piece of religious history - the Censer from the 11th century. Crafted in copper repousse, this censer bears a striking resemblance to the iconic Temple of Jerusalem. Originally housed in Metz Cathedral before finding its way to Treves, this ecclesiastical treasure is truly awe-inspiring. The intricate details and exquisite craftsmanship of this censer are beautifully captured in this wood engraving by Paul Lacroix. The delicate engravings on its surface depict scenes from medieval Christianity, transporting us back to a time when faith played a central role in people's lives. As we gaze upon this monochrome image, we can't help but be transported to the Middle Ages - an era filled with grandeur and devotion. The use of copper as the primary material adds an element of richness and elegance to this sacred object. Paul Lacroix's expertise as an artist shines through in his meticulous portrayal of every architectural detail. This print serves as a testament not only to Lacroix's talent but also to his dedication towards preserving historical artifacts through art. Through this photo print, we are reminded that religion has always been intertwined with architecture and artistry throughout history. It allows us to appreciate the beauty and significance behind these structures that have stood for centuries, serving as symbols of faith and spirituality. This image is sure to captivate both art enthusiasts and history buffs alike, offering them a glimpse into the rich tapestry of our collective past
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