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Renaissance paintings Collection

Choose a picture from our Renaissance paintings Collection for your Wall Art and Photo Gifts

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Background imageRenaissance paintings Collection: Dante and the Divine Comedy (The Comedy Illuminating Florence), 1464-1465

Dante and the Divine Comedy (The Comedy Illuminating Florence), 1464-1465. Artist: Domenico di Michelino
Dante and the Divine Comedy (The Comedy Illuminating Florence), 1464-1465. From the Basilica of Santa Maria del Fiore, Florence

Background imageRenaissance paintings Collection: JAMES DOUGLAS (1358-1388). 2nd Earl of Douglas and Mar

JAMES DOUGLAS (1358-1388). 2nd Earl of Douglas and Mar. Scottish statesman. The death of Douglas at the Battle of Otterburn. Oil on canvas by Charles Landseer (1799-1879)

Background imageRenaissance paintings Collection: May (Les Tres Riches Heures du duc de Berry), 1412-1416. Artist

May (Les Tres Riches Heures du duc de Berry), 1412-1416. Artist: Limbourg brothers (active 1385-1416)
May (Les Tres Riches Heures du duc de Berry), 1412-1416. Found in the collection of the Musee Conde, Chantilly

Background imageRenaissance paintings Collection: February (Les Tres Riches Heures du duc de Berry), 1412-1416. Creator: Limbourg brothers

February (Les Tres Riches Heures du duc de Berry), 1412-1416. Creator: Limbourg brothers
February (Les Tres Riches Heures du duc de Berry), 1412-1416. Found in the Collection of Muse e Conde, Chantilly

Background imageRenaissance paintings Collection: DANTEs INFERNO, c1520. Woodcut from a Venetian edition of the Divine Comedy, c1520

DANTEs INFERNO, c1520. Woodcut from a Venetian edition of the Divine Comedy, c1520

Background imageRenaissance paintings Collection: BOTTICELLI: PRIMAVERA. Painting by Sandro Botticelli, c1477-78

BOTTICELLI: PRIMAVERA. Painting by Sandro Botticelli, c1477-78

Background imageRenaissance paintings Collection: Fleisch macht Fleisch (Meat Gives Meat), 1555

Fleisch macht Fleisch (Meat Gives Meat), 1555. Found in the Collection of Rijksmuseum, Amsterdam

Background imageRenaissance paintings Collection: St Peter ordaining St Stephen Deacon, mid 15th century. Artist: Fra Angelico

St Peter ordaining St Stephen Deacon, mid 15th century. Artist: Fra Angelico
St Peter ordaining St Stephen Deacon, mid 15th century. St Stephen (dc35), a deacon of the early Christian church in Jerusalem, was found guilty of blasphemy by the Sanhedrin

Background imageRenaissance paintings Collection: The Battle of San Romano, 1432 (c1435-1440). Artist: Paolo Uccello

The Battle of San Romano, 1432 (c1435-1440). Artist: Paolo Uccello
The Battle of San Romano, 1432 (c1435-1440). The Battle of San Romano was fought between the armies of Siena and Florence

Background imageRenaissance paintings Collection: Florence, Tuscany, Italy

Florence, Tuscany, Italy

Background imageRenaissance paintings Collection: Portrait of Battista Sforza (From the Paired portraits of Federico da Montefeltro and his wife)

Portrait of Battista Sforza (From the Paired portraits of Federico da Montefeltro and his wife)
Portrait of Battista Sforza (From the Paired portraits of Federico da Montefeltro and his wife, the Duke and Duchess of Urbino), 1472. Found in the collection of the Galleria degli Uffizi, Florence

Background imageRenaissance paintings Collection: Ladies in Florence during the Renaissance

Ladies in Florence during the Renaissance
Noble ladies of Florence during the early 1400s. Antique hand-colored print

Background imageRenaissance paintings Collection: DANTE: PARADISE. The Heavenly Choir. Wood engraving after Gustave Dore

DANTE: PARADISE. The Heavenly Choir. Wood engraving after Gustave Dore

Background imageRenaissance paintings Collection: DANCE OF DEATH, 1538. Death and the Soldier. Woodcut by Hans Holbein the Younger

DANCE OF DEATH, 1538. Death and the Soldier. Woodcut by Hans Holbein the Younger, from The Dance of Death, published in 1538

Background imageRenaissance paintings Collection: Dante

Dante
Renaissance poet Dante Aligheri crowned with laurel. Digitally colored engraving

Background imageRenaissance paintings Collection: Medieval scholar, 16th century

Medieval scholar, 16th century

Background imageRenaissance paintings Collection: ASTROLOGY, 16th CENTURY. Medieval astrologer attempting to discover the secrets behind the Milky

ASTROLOGY, 16th CENTURY. Medieval astrologer attempting to discover the secrets behind the Milky Way: colored woodcut, Swiss or German, early 16th century

Background imageRenaissance paintings Collection: The Birth of the Virgin, Brussels Workshop, c. 1510 (tapestry)

The Birth of the Virgin, Brussels Workshop, c. 1510 (tapestry)
XIR240906 The Birth of the Virgin, Brussels Workshop, c.1510 (tapestry) by Flemish School, (16th century); St. Sauveur Cathedral, Aix-en-Provence, France; Flemish, out of copyright

Background imageRenaissance paintings Collection: Earthly Paradise. From: Four Visions of the Hereafter par Bosch, Hieronymus (c

Earthly Paradise. From: Four Visions of the Hereafter par Bosch, Hieronymus (c
FIA5404775 Earthly Paradise. From: Four Visions of the Hereafter par Bosch, Hieronymus (c. 1450-1516). Oil on wood, size : 88, 5x39, 8, ca 1490-1510, Palazzo Grimani, Venice by Bosch

Background imageRenaissance paintings Collection: The Creation of the World and the Expulsion from Paradise 1445

The Creation of the World and the Expulsion from Paradise 1445
The masterpiece was painted by Giovanni di Paolo (Giovanni di Paolo di Grazia). It represents a vision of Paradise reminiscent of that described by the great Florentine poet Dante in " The

Background imageRenaissance paintings Collection: Angel playing a lute, Melozzo da Forli

Angel playing a lute, Melozzo da Forli
Melozzo da Forli (1438-1494). Italian painter. Fresco depicting an Angel playing a lute. From the Church of the Twelve Holy Apostles. Pinacoteca Vaticana. Vatican City. Date: circa 1480

Background imageRenaissance paintings Collection: Alcuin of York (730-804). Alcuin presents to Rabanus Maurus

Alcuin of York (730-804). Alcuin presents to Rabanus Maurus
Alcuin of York, or Ealhwine, nicknamed or Flaccus (730-804). English scholar, ecclesiastic, poet and teacher from York, Northumbria. Alcuin presents to Rabanus Maurus to Saint Martin. Miniature

Background imageRenaissance paintings Collection: DRACO, 1482. Figuration of the constellations Draco, Ursa Major (Big Dipper), and Ursa Minor

DRACO, 1482. Figuration of the constellations Draco, Ursa Major (Big Dipper), and Ursa Minor (Little Dipper). Colored woodcut from Gaius Julius Hyginus Poeticon Astronomicon, Venice, Italy, 1482

Background imageRenaissance paintings Collection: Chateau de Chaumont castle, Chaumont-sur-Loire, Loire-et-Cher, Centre, France

Chateau de Chaumont castle, Chaumont-sur-Loire, Loire-et-Cher, Centre, France

Background imageRenaissance paintings Collection: ALLEGORY OF MERCURY, 1496. Personification of Mercury, the planet of science

ALLEGORY OF MERCURY, 1496. Personification of Mercury, the planet of science and the arts. Woodcut from Nicolas Le Rouges Le grand kalendrier des bergieres, Troyes, 1496

Background imageRenaissance paintings Collection: 16th-century medical astrology

16th-century medical astrology
Medical astrology. 16th-century artwork of Zodiac Man, a male body labelled with the twelve signs of the zodiac. This artwork was published in Freiburg in 1503 in the encyclopedia Margarita

Background imageRenaissance paintings Collection: Knole Park in Kent, the Seat of His Grace the Duke of Dorset, 1775. Artist: Michael Angelo Rooker

Knole Park in Kent, the Seat of His Grace the Duke of Dorset, 1775. Artist: Michael Angelo Rooker
Knole Park in Kent, the Seat of His Grace the Duke of Dorset, 1775. In the early 17th century Knole was transformed from a late medieval archbishops palace into a Renaissance mansion

Background imageRenaissance paintings Collection: Adoration of the Shepherd, 1476-1479. Artist: Hugo van der Goes

Adoration of the Shepherd, 1476-1479. Artist: Hugo van der Goes
Adoration of the Shepherd, 1476-1479. Central panel of the Portinari Altarpiece. From the collection of the Galleria degli Uffizi, Florence, Italy

Background imageRenaissance paintings Collection: Dramatic Lucca

Dramatic Lucca
Dramatic light illuminates the historical city of Lucca in Tuscany, Italy. Lucca is a city and comune in Tuscany, Central Italy

Background imageRenaissance paintings Collection: The Bishop of Tournai receiving the tithe of beer in tournai, 15th century (engraving)

The Bishop of Tournai receiving the tithe of beer in tournai, 15th century (engraving)
3781897 The Bishop of Tournai receiving the tithe of beer in tournai, 15th century (engraving) by Unknown Artist, (15th century); (add.info)

Background imageRenaissance paintings Collection: The Sacred Exchange between Saint Francis and Lady Poverty par Francesco di Giorgio Martini

The Sacred Exchange between Saint Francis and Lady Poverty par Francesco di Giorgio Martini (1439-1501)
FIA5404827 The Sacred Exchange between Saint Francis and Lady Poverty par Francesco di Giorgio Martini (1439-1501). Tempera on panel, 1480, Alte Pinakothek, Munich by Martini

Background imageRenaissance paintings Collection: Birds fighting from Musaeum Hermeticum, 1678 (engraving)

Birds fighting from Musaeum Hermeticum, 1678 (engraving)
2906472 Birds fighting from Musaeum Hermeticum, 1678 (engraving) by German School, (17th century); Private Collection; (add.info.: Musaeum Hermeticum reformatum et amplificatum (Frankfurt)

Background imageRenaissance paintings Collection: Portrait of St. Francis, c. 1285 (oil on panel) (detail of 696577)

Portrait of St. Francis, c. 1285 (oil on panel) (detail of 696577)
696578 Portrait of St. Francis, c.1285 (oil on panel) (detail of 696577) by Cimabue, Giovanni (1240-1302); Santa Maria degli Angeli, Assisi, Italy; (add.info.: St)

Background imageRenaissance paintings Collection: The Healing of Saint Roch, late 15th century. Artist: German Master

The Healing of Saint Roch, late 15th century. Artist: German Master
The Healing of Saint Roch, late 15th century. German painting of the Swabian School. Legend holds that a dog found St Roch suffering from the plague, and summoned help

Background imageRenaissance paintings Collection: Entrance to Heidelberg Castle in Heidelberg, Germany Circa 1887

Entrance to Heidelberg Castle in Heidelberg, Germany Circa 1887
Beautifully Illustrated Antique Engraved Victorian Illustration of Entrance to Heidelberg Castle in Heidelberg, Germany Circa 1887. Source: Original edition from my own archives

Background imageRenaissance paintings Collection: Goldsmith, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age

Goldsmith, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age
KW260638 Goldsmith, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageRenaissance paintings Collection: Virgin and Child with St. Benedict, from the Priory of St. Hippolytus of Vivoin

Virgin and Child with St. Benedict, from the Priory of St. Hippolytus of Vivoin
XIR243430 Virgin and Child with St. Benedict, from the Priory of St. Hippolytus of Vivoin (oil on panel) by French School, (15th century); 112x115 cm; Musee de Tesse, Le Mans

Background imageRenaissance paintings Collection: MIDDLE AGES: KNIGHTHOOD. A knight arrayed for a tournament. Line engraving, 19th century

MIDDLE AGES: KNIGHTHOOD. A knight arrayed for a tournament. Line engraving, 19th century

Background imageRenaissance paintings Collection: 16th-century astronomy

16th-century astronomy. Artwork of Atlas holding up the heavens. This artwork was published in Freiburg in 1503 in the encyclopedia Margarita Philosophica by the German author Gregor Reisch

Background imageRenaissance paintings Collection: The Sea Monster

The Sea Monster
Vintage engraving by Albrech Durer, showing The Sea Monster, 1498

Background imageRenaissance paintings Collection: Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas)

Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas)
3956045 Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas) by Abbey, Edwin Austin (1852-1911); 76.8 x 44.5 cm; Yale University Art Gallery, New Haven, CT

Background imageRenaissance paintings Collection: The Queen of Sheba Worshipping the Wood of the True Cross

The Queen of Sheba Worshipping the Wood of the True Cross
BAT235262 The Queen of Sheba Worshipping the Wood of the True Cross, The Reception of the Queen of Sheba by King Solomon (c.1015-977) and The Battle of Milvian Bridge

Background imageRenaissance paintings Collection: Saint Lawrence, c. 1480 / 1490. Creator: Israhel van Meckenem

Saint Lawrence, c. 1480 / 1490. Creator: Israhel van Meckenem
Saint Lawrence, c. 1480/1490

Background imageRenaissance paintings Collection: A Condottiere, 1871-72. Creator: Frederic Leighton

A Condottiere, 1871-72. Creator: Frederic Leighton
A Condottiere, 1871-72

Background imageRenaissance paintings Collection: Fol. 414v, Facts and memorable words (vellum)

Fol. 414v, Facts and memorable words (vellum)
XZO362948 Fol.414v, Facts and memorable words (vellum) by French School; Bibliotheque Nationale, Paris, France; (add.info.: Faits et paroles memorables; ); French, out of copyright

Background imageRenaissance paintings Collection: March (Les Tres Riches Heures du duc de Berry), 1412-1416. Creator: Limbourg brothers

March (Les Tres Riches Heures du duc de Berry), 1412-1416. Creator: Limbourg brothers
March (Les Tres Riches Heures du duc de Berry), 1412-1416. Found in the Collection of Muse e Conde, Chantilly

Background imageRenaissance paintings Collection: Reproduction of a 15th century wood carving on a stall in Rouen cathedral representing

Reproduction of a 15th century wood carving on a stall in Rouen cathedral representing
KW260602 Reproduction of a 15th century wood carving on a stall in Rouen cathedral representing the proverb Margaritas ante Porcos or, Throwing Pearls before Swine

Background imageRenaissance paintings Collection: Barnacle Geese, after a woodcut in Cosmographie Universelle, 1552

Barnacle Geese, after a woodcut in Cosmographie Universelle, 1552
KW260563 Barnacle Geese, after a woodcut in Cosmographie Universelle, 1552, from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School



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