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The Cock-pit, 1759. Artist: William Hogarth
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The Cock-pit, 1759. Artist: William Hogarth
The Cock-pit, 1759. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albemarle Bertie (centre) is being robbed by a figure taking a note out of his upturned hat. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917302
© The Print Collector / Heritage-Images
Betting Blind Blood Sports Chaos Chicken Cock Cock Fighting Cockerel Cockfighting Cockpit Criminal Crowded Cruelty Emily Morse Emily Morse Symonds Gambling George Paston Hogarth Money Paston Prig Robber Robbery Rooster Spectator Spectator Sport Stealing Symonds Thief W Hogarth William Hogarth
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The Cock-pit, 1759 - A Glimpse into the Chaotic World of Cockfighting
EDITORS COMMENTS
. In this print by William Hogarth, we are transported back to the vibrant atmosphere of a cockfighting event in 18th-century Britain. The scene is filled with a diverse cross-section of society, all eagerly engaged in this blood sport that was both loved and loathed. At the center of attention stands Lord Albemarle Bertie, blind but oblivious to the cunning thief who slyly steals money from his upturned hat. This clever detail highlights not only the chaos within the crowd but also hints at the darker underbelly of such spectator sports. Hogarth's meticulous attention to detail allows us to observe individuals from different walks of life - aristocrats, commoners, criminals - all united by their shared passion for gambling on these fierce rooster battles. Their extravagant attire reflects their social status while emphasizing their involvement in this controversial pastime. The print captures not only the excitement and tension surrounding each fight but also raises questions about cruelty towards animals and societal values during that era. It serves as a reminder that even seemingly innocent forms of entertainment can reveal deeper complexities within human nature. This remarkable piece is part of George Paston's collection on social caricature in the eighteenth century and offers an intriguing glimpse into a world long gone but forever imprinted through Hogarth's masterful artistry.
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