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Death and the Maiden, 1517. Creator: Baldung (Baldung Grien), Hans (1484-1545)
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Death and the Maiden, 1517. Creator: Baldung (Baldung Grien), Hans (1484-1545)
Death and the Maiden, 1517. Found in the Collection of the Art Museum Basel
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Media ID 38072321
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Abundance Affluence Art Museum Basel Baldung Baldung Grien Cornucopia Death Symbols Depts Eternity Futility Hans 1484 1545 Life And Death Luxuriancy Memento Mori Money Opulence Prosperity Riche Riches Richness Sinful Stinginess Tempera And Oil On Wood Transience Vain Vanitas Vanity Wealth Wealthiness
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EDITORS COMMENTS
This print by Hans Baldung, titled Death and the Maiden, is a striking representation of the vanitas theme popular in Renaissance art. The juxtaposition of the youthful maiden and the ominous figure of death serves as a reminder of life's transience and the inevitability of mortality.
Baldung's intricate details, such as symbols of wealth like cornucopias and money bags, highlight themes of abundance and prosperity. However, these symbols are contrasted with reminders of futility and vanity, such as hourglasses symbolizing time running out.
The painting exudes opulence and richness, but also conveys a sense of emptiness and superficiality. The maiden's luxurious attire and surroundings serve as a stark contrast to the skeletal figure looming over her shoulder.
Through this allegorical depiction, Baldung prompts viewers to contemplate their own mortality and question what truly matters in life. The painting serves as a memento mori, urging us to reflect on our own values and priorities in the face of death's inevitable presence.
Death and the Maiden is not only a masterpiece of Renaissance art but also a profound meditation on life, wealth, vanity, and eternity. It continues to captivate audiences centuries after its creation with its powerful imagery and timeless message.
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