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The facial characteristics of a melancholic person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a melancholic person, 1808. Artist: Johann Kaspar Lavater


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The facial characteristics of a melancholic person, 1808. Artist: Johann Kaspar Lavater

The facial characteristics of a melancholic person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits. Physiognomy is the idea that a persons outer appearance may give insight to their character

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Media ID 14876723

© Artmedia / Heritage-Images

Brunette Forehead Frowning Johann Caspar Lavater Johann Kaspar Johann Kaspar Lavater Lavater Melancholic Melancholy Swiss Switzerland Temperament Unhappy Print Collector4


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The Facial Characteristics of a Melancholic Person, 1808 - A Glimpse into the Inner World

EDITORS COMMENTS
. This print from 1808, created by the talented artist Johann Kaspar Lavater, offers us a unique insight into the concept of physiognomy. Lavater believed that one's outer appearance could provide valuable clues about their inner character. In this melancholic portrait, we witness an exquisite portrayal of a woman with deep sorrow etched upon her face. The artist's attention to detail is remarkable as he captures every nuance and contour of her countenance. The woman's furrowed brow and frowning expression speak volumes about her unhappiness and internal struggles. Her dark brunette hair frames her face in an elegant hairstyle typical of the time period. Lavater's illustration transports us back to 19th century Switzerland, where his work gained significant recognition. Through his artistry, he sought to explore the connection between temperament and physical features. As we gaze at this melancholic profile, we are reminded that emotions can leave an indelible mark on our faces. The somber color palette chosen by Lavater further enhances the sense of sadness emanating from this portrait. This print serves as a testament to Lavater's mastery in capturing not only physical attributes but also intangible qualities such as mood and temperament. It invites us to contemplate how our own facial characteristics may reflect our innermost selves.

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