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Flirtation, 1885. Artist: John Francis Rigaud
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Flirtation, 1885. Artist: John Francis Rigaud
Flirtation, 1885; interior scene with a man sitting and eating, having returned from hunting; his quarry lies on the floor. A woman reaches for a kitchen utensil whilst turning to look at him
Heritage Images features heritage image collections
Media ID 15167320
© Guildhall Art Gallery (City of London) / Heritage-Images
Duck Ducks Eating Flirtation Fowl Game Guildhall Library Art Gallery Hunter John Francis John Francis Rigaud Kitchen Rabbit Rigaud Sideways Glance Metaphor Pastime
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Flirtation, 1885 - A Glimpse into the Intriguing World of John Francis Rigaud
EDITORS COMMENTS
. This print captures a moment frozen in time from the year 1885, showcasing the artistic brilliance of John Francis Rigaud. Stepping into an intimate interior scene, we find ourselves amidst a fascinating encounter between a man and a woman. The setting unfolds within the walls of a cozy kitchen where our male protagonist sits comfortably after returning from his hunting expedition. His prized quarry lies lifeless on the floor beside him, serving as evidence of his prowess in this traditional pastime. Meanwhile, our attention is drawn to the enchanting female figure who stands nearby. With one hand reaching for a kitchen utensil and her body turned towards him, she casts an alluring sideways glance at our hunter. Her elegant dress hints at her refined nature while adding color to this composition. Rigaud's masterful use of oil paints brings depth and vibrancy to every detail - be it the delicate feathers of game birds or even the fur of rabbits adorning their surroundings. Through this artwork, he skillfully intertwines metaphorical elements with everyday scenes, inviting viewers to ponder upon themes such as flirtation and human interaction. As we gaze upon this remarkable piece housed within Guildhall Library and Art Gallery's collection, we are transported back in time to witness an intriguing moment that transcends centuries. This print serves as both a testament to Rigaud's artistic genius and an invitation
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