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The Fourth Tableau of Das Rheingold, from The Savoy No. 6, 1896
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The Fourth Tableau of Das Rheingold, from The Savoy No. 6, 1896
The Fourth Tableau of Das Rheingold, from The Savoy No. 6, 1896. Cover design with Wotan and Loge, illustration for Wagners opera " Das Rheingold". Beardsleys advanced tuberculosis prevented him from completing the series. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364820
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley Bare Feet Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Decadent Movement Der Ring Des Nibelungen Feet Flame Flames Foot Leonard Charles Smithers Leonard Smithers Odin Publishing Publishing House R A Walker Rainforth Armitage Walker Richard Wagner Shirley Markham Smithers Leonard Smithers Leonard Charles The Ring Of The Nibelungen The Savoy Wagner Richard Walker Walker R A Walker Rainforth Armitage Wilhelm Richard Wagner Wodan Woden Wotan Barefoot Das Rheingold Graphic Design Loge
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The Fourth Tableau of Das Rheingold - A Captivating Glimpse into Beardsley's Unfinished Masterpiece
EDITORS COMMENTS
. This mesmerizing print captures the essence of Aubrey Beardsley's unfinished masterpiece, "The Fourth Tableau of Das Rheingold" featured in The Savoy No. 6 in 1896. This remarkable cover design transports us to the enchanting world of Richard Wagner's opera, "Das Rheingold" where gods and mortals intertwine. Beardsley, a prominent figure in the art nouveau movement, poured his creative genius into this illustration despite battling advanced tuberculosis. Tragically, his illness prevented him from completing the entire series. Nevertheless, this snapshot showcases his unparalleled talent and unique artistic style. In this image, we witness Wotan and Loge portrayed with striking detail and intricate linework. Their bare feet seemingly float above a cloud-like backdrop while flames dance around them symbolizing their godly power and presence. Published years later in "The Best of Beardsley" edited by R. A. Walker (1948), this rare find continues to captivate art enthusiasts worldwide. It serves as a testament to Beardsley's contribution to British literature and graphic design during the decadent movement. As we gaze upon this piece, we are transported back to the nineteenth century when opera was not only an entertainment form but also a religious experience for many. Through Beardsley's skillful hand, he immortalizes these mythical characters within our collective imagination. Let us cherish this glimpse into Beardsley's extraordinary vision—a testament to his enduring legacy that continues to inspire generations even after more than a century has passed since its creation.
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