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Francis Seymour in costume for Queen Victorias Bal Costume, May 12 1842, (1843)
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Francis Seymour in costume for Queen Victorias Bal Costume, May 12 1842, (1843)
Francis Seymour in costume for Queen Victorias Bal Costume, May 12 1842, (1843). British courtier, army officer and politician Francis Seymour, 5th Marquess of Hertford (1812-1884) in Plantagenet dress. Members of the Royal Household were expected to wear dress of the Plantagenet period (c1154-1485), although other guests could wear costumes of their own choosing. The costumes were designed under the supervision of James Robinson Planche and were specifically intended to give work to the declining Spitalfields silk industry. The ball of 1842, held at Buckingham Palace in London, was the first of three costume balls held by Queen Victoria and Albert, Prince Consort. The second, on 6 June 1845, was in early Georgian dress, while the third, on 13 June 1851, was in the style of the Restoration. From " Souvenir of the Bal Costume, given by H.M. Queen Victoria at Buckingham Palace, May 12, 1842 / drawings from the original dresses by Coke Smyth; letterpress by J.R. Planche", 1843. [Paul & Dominic Colnaghi & Co, London, 1843]
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Media ID 19173262
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EDITORS COMMENTS
The print captures Francis Seymour, the 5th Marquess of Hertford, dressed in an exquisite Plantagenet costume for Queen Victoria's Bal Costume on May 12,1842. As a British courtier, army officer, and politician, Seymour was expected to adhere to the dress code of the Plantagenet period (c1154-1485), while other guests were given freedom to choose their own costumes. Designed under the supervision of James Robinson Planche, these elaborate costumes aimed to revive the declining Spitalfields silk industry. The ball itself took place at Buckingham Palace in London and marked the first of three grand costume balls hosted by Queen Victoria and her husband Albert, Prince Consort. This particular event showcased not only the opulence but also the historical appreciation that characterized Victorian society. The attention to detail in Seymour's attire is evident; every aspect meticulously crafted to resemble authentic Plantagenet fashion. The significance of this photograph lies not only in its portrayal of a prominent figure from British history but also as a testament to Queen Victoria's commitment towards supporting local industries through such extravagant events. Preserved within this image is a glimpse into an era where tradition met innovation and where artistry flourished amidst societal change.
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