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Frontispiece for "Les Fleurs du Mal", 1857. Creator: Felix Bracquemond

Frontispiece for 'Les Fleurs du Mal', 1857. Creator: Felix Bracquemond


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Frontispiece for "Les Fleurs du Mal", 1857. Creator: Felix Bracquemond

Frontispiece for " Les Fleurs du Mal", 1857. [Frontispiece for The Flowers of Evil]

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Media ID 20637628

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Baudelaire Baudelaire Charles Baudelaire Charles Pierre Bracquemond Bracquemond Felix Charles Baudelaire Charles Pierre Charles Pierre Baudelaire Drypoint Evil Felix Félix Bracquemond Flix Bracquemond Frontispiece Les Fleurs Du Mal Second State Of Two Skeleton Nettle Nettles Poetry


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> Arts > Artists > B > Charles Pierre Baudelaire

> Arts > Artists > W > Charles White

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print, titled "Frontispiece for 'Les Fleurs du Mal', 1857" is a remarkable creation by Felix Bracquemond. The artwork serves as the frontispiece for Charles Baudelaire's renowned collection of poetry, "Les Fleurs du Mal" (The Flowers of Evil). Bracquemond's etching and drypoint technique beautifully captures the essence of Baudelaire's dark and introspective work. In this haunting image, we are transported to a world where nature intertwines with death. A skeleton lies amidst a bed of nettles, symbolizing the fragility and transience of life. The intricate details in the plants showcase Bracquemond's mastery in capturing botanical elements. The print exudes an air of melancholy that perfectly complements Baudelaire's poetic exploration of human emotions and desires. It invites us to delve into the depths of our own souls while contemplating themes such as love, beauty, sin, and mortality. Displayed at The Metropolitan Museum of Art, this piece stands as a testament to both Bracquemond's artistic prowess and Baudelaire's enduring literary legacy. It serves as a visual representation of their collaboration in bringing forth profound ideas through different art forms. As we gaze upon this evocative frontispiece, we are reminded that art has no boundaries; it transcends time and connects us to universal human experiences.

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