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Ghost as seen in the Hamlet of St Stephens Chapel, 1820

Ghost as seen in the Hamlet of St Stephens Chapel, 1820


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Ghost as seen in the Hamlet of St Stephens Chapel, 1820

Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness against her, Majocchi

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Media ID 15169368

© London Metropolitan Archives (City of London) / Heritage-Images

Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel George Iv George Iv Of The United Kingdom Georgian Gown Horrified Horror House Of Lords Judge King George Iv King Of Great Britain Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Queen Consort Of George Iv Trial Witness


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EDITORS COMMENTS
This 19th-century print captures a pivotal moment in British history, depicting the ghostly scene that unfolded at the Hamlet of St Stephens Chapel in 1820. The House of Lords is transformed into a dramatic stage as Queen Caroline, consort of King George IV, finds herself confronted by an unexpected witness against her: Majocchi. In this satirical caricature, we witness the sheer terror etched across the Queen's face as she throws up her arms in disbelief and horror. The artist skillfully employs color and costume to convey the essence of this historical event. The vibrant hues bring life to every detail - from the elaborate gowns worn by both men and women to the majestic wig adorning King George IV's head. Amidst all this grandeur, it is impossible not to be captivated by the expressions on each character's face - from shock and fear to intrigue and amusement. This image serves as a powerful reminder of politics and power dynamics during that era. It encapsulates not only Queen Caroline's struggle for justice but also reflects broader themes such as gender roles, monarchy, law, and public opinion. Preserved within Guildhall Library and Art Gallery archives with its anonymous creator still unknown; this print continues to fascinate viewers with its rich historical context.

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