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Goody Bull or the Second Part of the Repeal, March 18, 1766. March 18, 1766. Creator: Anon

Goody Bull or the Second Part of the Repeal, March 18, 1766. March 18, 1766. Creator: Anon


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Goody Bull or the Second Part of the Repeal, March 18, 1766. March 18, 1766. Creator: Anon

Goody Bull or the Second Part of the Repeal, March 18, 1766

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Media ID 25333875

© Heritage Art/Heritage Images

Act Of Parliament Allegorical Britannia Chatham Earl Of Earl Of Chatham Lord Chatham Parliament Pitt William 1st Earl Of Chatham Prime Minister Stamp Act The Great Commoner W Pitt William Pitt William Pitt 1st Earl Of Chatham William Pitt Earl Of Chatham William Pitt The Elder Allegorical Figure Parody Repeal Repealed Satirical


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> Arts > Artists > W > William White

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > United Kingdom > England > London > Politics > William Pitt the Elder

> Europe > United Kingdom > England > London > Politics > William Pitt

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> People > Politicians

> Popular Themes > Politics


Goody Bull or the Second Part of the Repeal, March 18,1766 - A Satirical Allegory of British-American Relations

EDITORS COMMENTS
. This print from the 18th century captures a pivotal moment in history when tensions between Britain and its American colonies were reaching their peak. Created by an anonymous artist, this satirical caricature depicts an allegorical figure representing America alongside prominent politicians of the time. The central figure is Britannia, symbolizing Great Britain's power and authority. Surrounding her are political figures such as Lord Chatham (also known as William Pitt), who served as Prime Minister during this period. The scene portrays a parody of Parliament's repeal of the Stamp Act, a controversial tax imposed on the American colonies. Through clever illustration and biting satire, this artwork reflects the strained relationship between Britain and America at that time. It serves as both a historical document and a commentary on politics and power dynamics. Now housed in The Metropolitan Museum of Art, this etched print offers viewers a glimpse into 18th-century artistic techniques while providing valuable insights into colonial-era politics. As we observe Goody Bull or the Second Part of the Repeal today, it reminds us to reflect upon our shared heritage and learn from past mistakes to build stronger nations based on understanding and cooperation rather than conflict.

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