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Grotesque Borders for Rooms & Halls, December 1, 1800. December 1, 1800
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Grotesque Borders for Rooms & Halls, December 1, 1800. December 1, 1800
Grotesque Borders for Rooms & Halls, December 1, 1800
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Media ID 19987590
© Heritage Art/Heritage Images
Ackermann Ackermann R Ackermann Rudolph Border Funny George Moutard George Moutard Woodward Grotesque Horse Race Horse Racing Lilliputian Ponies Pony R Ackermann Races Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Stage Coach Stagecoach Theatrical Thomas Rowlandson Woodward Woodward George Moutard Hand Coloured Hand Tinted Interior Decoration Interior Design
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Grotesque Borders for Rooms & Halls, December 1,1800 - A Whimsical Journey into the Lilliputian World of Satire
EDITORS COMMENTS
. This hand-colored print by Thomas Rowlandson takes us back to the vibrant and humorous world of early 19th-century Britain. Created in collaboration with Rudolph Ackermann and George Moutard Woodward, this piece showcases their mastery in combining artistry with satire. The image transports us to a bustling interior filled with lively characters and absurd scenarios. The central focus is on a horse race taking place indoors, an unusual sight that adds to the whimsy of the scene. Ponies and horses gallop around a miniature track while spectators cheer them on from all sides. This comical juxtaposition between grandeur and confinement highlights the eccentricity of British society during this time. Rowlandson's intricate attention to detail brings every element to life - from the exaggerated expressions on people's faces to the elaborate stagecoach parked nearby. The grotesque borders surrounding the main scene further enhance its charm, featuring fantastical animals engaged in various activities. With its vibrant colors and clever composition, "Grotesque Borders for Rooms & Halls" offers both entertainment and commentary on contemporary culture. It serves as a reminder that even amidst societal constraints, humor can thrive as an essential form of expression. Displayed at The Metropolitan Museum of Art today, this artwork continues to captivate viewers with its timeless appeal and serves as a testament to Rowlandson
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