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Horned Male Figure, between c.1000 and c.650 B.C.. Creator: Unknown
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Horned Male Figure, between c.1000 and c.650 B.C.. Creator: Unknown
Horned Male Figure, between c.1000 and c.650 B.C
Heritage Images features heritage image collections
Media ID 36370025
© Heritage Art/Heritage Images
10th Century Bc 7th Century Bc 8th Century Bc 9th Century Bc Bronze Cast Cast Horned Iran Iranian Iron Age Middle Eastern Mold Mould Near East Persia Persian Typical Western Asia
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EDITORS COMMENTS
This Horned Male Figure, estimated to date between the 10th and 7th centuries BC, is an enigmatic artifact hailing from the Near East, specifically from either Iran, Persia, or Western Asia. The precise origin and creator of this masterpiece remain unknown, adding to its allure. This figure, cast in bronze, showcases intricate details, with a robust, horned male figure taking center stage. The figure's body is adorned with intricate patterns and shapes, suggesting a deep connection to the ancient culture from which it originated. The Horned Male Figure is a testament to the rich artistic heritage of the Iron Age, a period marked by significant advancements in metalworking techniques. This figure, likely a representation of a deity or a powerful warrior, was cast using the lost-wax casting method, a technique that allowed for intricate details and complex shapes. This figure is now part of the esteemed collection at the Los Angeles County Museum of Art (LACMA), where it is exhibited for visitors to explore and appreciate the intricacies of ancient art and the fascinating history it represents. The figure's horns, a common feature in ancient Near Eastern art, may symbolize power, strength, or even divine status. The figure's shape and form are typical of the region, showcasing the unique artistic traditions that have shaped our understanding of the ancient world. The Horned Male Figure invites us to delve deeper into the history and culture of the Near East, transporting us back in time to a period of artistic innovation and cultural richness.
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