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Hyksos Scarab with Foreign King's Name (image 2 of 2), 13th-16th Dynasties (1786-1569 B.C.). Creator: Unknown
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Hyksos Scarab with Foreign King's Name (image 2 of 2), 13th-16th Dynasties (1786-1569 B.C.). Creator: Unknown
Hyksos Scarab with Foreign King's Name (image 2 of 2), 13th-16th Dynasties (1786-1569 B.C.)
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Media ID 36363324
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15th Dynasty 16th Century Bc 17th Century Bc Beetle Grey Background Insect Insects Scarab Scarab Beetle Soapstone Steatite Ancient Egyptian Hyksos Mizraim
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1. Title: Hyksos Scarab with Foreign King's Name (image 2 of 2) - A Glimpse into Ancient Egyptian Art and Cultural Exchange This image showcases a Hyksos scarab, a small, intricately decorated sculpture in the form of a scarab beetle, hailing from the 13th to 16th Dynasties of Ancient Egypt, approximately spanning from 1786 to 1569 BC. The creator of this masterpiece remains unknown, adding to the allure of this enigmatic artifact. The scarab is carved from steatite or soapstone, and its surface is adorned with intricate hieroglyphics and images. The most striking feature of this piece is the inscription of a foreign king's name, "Mizraim," which suggests that this artifact was a product of cultural exchange during the Hyksos period. The Hyksos were a Semitic people who ruled Egypt during the Second Intermediate Period, introducing new artistic styles and techniques. This scarab is a prime example of the fusion of Egyptian and foreign artistic influences. The scarab's green color, achieved through the application of a green pigment, contrasts beautifully against the grey background, highlighting the intricate decoration. The close-up perspective allows us to appreciate the minute details of the hieroglyphics and the meticulously carved features of the beetle's body. This scarab is currently housed in the Los Angeles County Museum of Art (LACMA), a testament to its historical significance and artistic merit. The image offers a glimpse into the rich cultural heritage of ancient Egypt and the profound impact of foreign influences on its art.
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