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The Incredulity of Thomas, from Speculum passionis domini nostri Ihesu Christi, 1507

The Incredulity of Thomas, from Speculum passionis domini nostri Ihesu Christi, 1507


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The Incredulity of Thomas, from Speculum passionis domini nostri Ihesu Christi, 1507

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Media ID 20373448

© Heritage Art/Heritage Images

Doubting Thomas Hans Hans Sch And Xe4 Hans Schäufelein Hans Schaufelein The Elder Incredulous Northern Renaissance Pinder Pinder Ulrich Proof Resurrection Saint Thomas Saint Thomas The Apostle Sch And Xe4 Schaufelein Schaufelein Hans Schaufelein Hans The Elder St Thomas St Thomas The Apostle Stigmata The Elder Thomas St Thomas The Apostle Ufelein Ufelein Hans Ufelein Hans The Elder Ufelein The Elder Ulrich Ulrich Pinder Wound Wounded Wounds Black And


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > M > Hans Maler

> Arts > Artists > S > Hans Schaufelein

> Europe > Germany > Posters

> Europe > Germany > Related Images

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print showcases "The Incredulity of Thomas" by Hans Schaufelein the Elder, a renowned German artist from the 16th century. The image is taken from Speculum passionis domini nostri Ihesu Christi, a significant work that reflects the Northern Renaissance period. In this remarkable woodcut, we witness an iconic biblical scene featuring Saint Thomas the Apostle and Jesus Christ. Known as "Doubting Thomas" he famously doubted Jesus' resurrection until he saw and touched his wounds. The artwork beautifully captures this moment of incredulity, emphasizing Thomas' astonishment as he reaches out to touch the stigmata on Jesus' side. Hans Schaufelein's masterful craftsmanship is evident in every detail of this composition. From the intricate lines etched into the woodblock to the expressive gestures of both figures, his skill brings life to this religious narrative. Displayed at The Metropolitan Museum of Art, this print serves as a testament to Schaufelein's contribution to Christian art during his time. It invites viewers to contemplate themes such as faith, doubt, and divine proof while appreciating the artistic techniques employed by one of Germany's most celebrated artists. As we gaze upon this awe-inspiring piece, we are transported back in time to witness an intimate encounter between man and divinity—an encounter that continues to resonate with people across centuries and cultures.

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