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The inhabitants of Cassel throw themselves at the mercy of Philip the Good in the marshes of Saint- Creator: Tattegrain, Francis (1852-1915)

The inhabitants of Cassel throw themselves at the mercy of Philip the Good in the marshes of Saint- Creator: Tattegrain, Francis (1852-1915)


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The inhabitants of Cassel throw themselves at the mercy of Philip the Good in the marshes of Saint- Creator: Tattegrain, Francis (1852-1915)

The inhabitants of Cassel throw themselves at the mercy of Philip the Good in the marshes of Saint-Omer, 10 January 1430, 1887. Found in the collection of the Musee des Beaux-Arts de la ville de Paris

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Media ID 36316629

© Fine Art Images/Heritage Images

Burgundy Duke Of Burgundy History Painting Knighthood Philip Iii Philip Of Burgundy Philip The Good


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EDITORS COMMENTS
This oil on canvas painting, titled "The Inhabitants of Cassel Throw Themselves at the Mercy of Philip the Good in the Marshes of Saint-Omer," was created by the renowned Belgian artist Francis Tattegrain in 1887. The painting is a masterpiece of history painting and is currently housed in the prestigious Musée des Beaux-Arts de la ville de Paris. The scene depicted in the painting is based on a historical event that took place on January 10, 1430, in the marshes of Saint-Omer, France. The inhabitants of the town of Cassel, who had been besieged by the English forces, were granted mercy by the Duke of Burgundy, Philip the Good. In the painting, we see a large crowd of people, including men, women, and children, throwing themselves at the feet of the duke in supplication, pleading for his protection and mercy. Philip the Good, dressed in his regal attire, is depicted as a compassionate and just ruler, extending his hand in a gesture of forgiveness and mercy. The painting captures the raw emotion and desperation of the crowd, as well as the sense of relief and gratitude that must have filled the air when the duke granted his mercy. Tattegrain's use of color and light in this painting is truly remarkable. The muted tones of the marshes contrast sharply with the vibrant colors of the people in the foreground, drawing the viewer's attention to the emotional intensity of the scene. The painting is a testament to Tattegrain's skill as a painter and his ability to bring history to life through his art.

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