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Initial Letters (Vulture) to Volpone, 1898. Creator: Aubrey Beardsley
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Initial Letters (Vulture) to Volpone, 1898. Creator: Aubrey Beardsley
Initial Letters (Vulture) to Volpone, 1898. Illustration for an edition of Ben Jonsons eponymous comedy play, published by Leonard Smithers. This and four others were the only ones of twenty-four contemplated drawings that Beardsley managed to complete before he died of consumption aged 25. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364794
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley B Jonson Beardsley Aubrey Beardsley Aubrey Vincent Ben Johnson Ben Jonson Benjamin Jonson Decadent Movement Initial Johnson Ben Jonson Ben Jonson Benjamin Leonard Charles Smithers Leonard Smithers R A Walker Rainforth Armitage Walker Shirley Markham Smithers Leonard Smithers Leonard Charles Vulture Walker Walker R A Walker Rainforth Armitage Graphic Design Volpone
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EDITORS COMMENTS
This print showcases Aubrey Beardsley's "Initial Letters (Vulture) to Volpone" illustration, created in 1898 for an edition of Ben Jonson's renowned comedy play. Published by Leonard Smithers, this artwork is one of the few completed by Beardsley before his untimely death at the age of 25 due to consumption. Beardsley's distinctive art nouveau style is evident in this intricate design, featuring a striking vulture as the initial letter. The attention to detail and delicate linework highlight his exceptional talent as a graphic designer and illustrator. The monochromatic palette adds depth and intensity to the image, capturing the essence of both drama and decadence. Despite its somber origins, this piece exemplifies Beardsley's ability to infuse beauty into darkness. It serves as a testament to his contribution to British art during the late 19th century. The juxtaposition of nature with human expression creates a sense of intrigue that draws viewers into the world of Volpone. Displayed alongside four other completed illustrations from a planned series of twenty-four, this print offers us a glimpse into Beardsley's artistic vision and leaves us yearning for what could have been. Preserved within "The Best of Beardsley" edited by R. A Walker in 1948, it stands as an enduring tribute to an artist whose brilliance was cut short too soon.
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