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Intended statues for Waterloo Place, 1821. Artist: JL Marks
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Intended statues for Waterloo Place, 1821. Artist: JL Marks
Intended statues for Waterloo Place, 1821. Two large figures on a low pedestal embracing. King George IV is shown as Bacchus and Lady Conyngham as Ariadne. Against the pedestal leans a portfolio which says Lady C......s attitudes suppressed. Lord Conyngham stands on the left, sprouting antlers. Lady Elizabeth Conyngham was one of the Kings mistresses
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Media ID 15177168
© London Metropolitan Archives (City of London) / Heritage-Images
Adultery Affair Antler Antlers Ariadne Bacchus Conyngham Dionysius Dionysus Elizabeth Embrace Embracing Examining George Iv George Iv Of The United Kingdom Hanoverian Henry J Lewis Marks Jl Marks King George Iv King Of Great Britain Kissing Lover Magnifying Glass Marks Mistress Mythical Figure Prince Of Wales Prince Regent Prinnie Prinny Elizabeth Conyngham Greek Mythology Lord Conyngham Roman Mythology
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EDITORS COMMENTS
This print showcases the intended statues for Waterloo Place in 1821, created by artist JL Marks. The composition features two large figures on a low pedestal engaged in an intimate embrace. King George IV is depicted as Bacchus, the Greek god of wine and revelry, while Lady Conyngham assumes the role of Ariadne, a mythical figure associated with love and passion. The image also reveals intriguing details that offer insight into the scandalous affair between King George IV and Lady Elizabeth Conyngham, one of his mistresses. Leaning against the pedestal is a portfolio bearing the inscription "Lady C. . . . . . s attitudes suppressed" hinting at hidden secrets or forbidden desires. On the left side stands Lord Conyngham, sporting antlers symbolizing cuckoldry or betrayal within their marriage. With its vibrant colors and meticulous etching technique, this artwork captures not only historical events but also societal norms and taboos of 19th-century Britain. It serves as both a caricature and commentary on power dynamics within relationships during this era. Preserved at Guildhall Library and Art Gallery, this piece invites viewers to examine themes such as love, adultery, monarchy, mythology, and social expectations through its intricate details. By magnifying these elements with curiosity akin to using a magnifying glass itself - which appears in the image - we gain deeper insights into this fascinating period of British history where personal passions clashed with public personas.
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