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Je ne vois pas pourquoi on ne nous nommerait pas aussi.. 1856. Creator: Honore Daumier
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Je ne vois pas pourquoi on ne nous nommerait pas aussi.. 1856. Creator: Honore Daumier
Je ne vois pas pourquoi on ne nous nommerait pas aussi.. 1856. - Je ne vois pas pourquoi on ne nous nommerait pas aussi un de ces jours, membres du conseil de surveillance...ca n'est pas difficile d'avoir un air de dignite...voici comme il suffit de se poser!...'. Man holding feather duster: I don't see why we shouldn't also be named members of the supervisory board one of these days...it's not difficult to have an air of dignity...you just have to stand like this!...'. Series: Croquis Parisiens; Periodical: Le Charivari, 28 May 1856
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Media ID 36353752
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Broom Class Cleaner Daumier Honore Daumier Honore Victorin Duster Feather Duster Funny H Daumier Honore Daumier Honore Victorin Daumier Le Charivari Lithographic Pompous Social Class Cleaners Lithotint Parody Pomposity Satirical
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EDITORS COMMENTS
Je ne vois pas pourquoi on ne nous nommerait pas aussi" (Why Can't We Be Named Too) is a thought-provoking lithograph created by the renowned French artist Honore Daumier in 1856. This image, part of Daumier's "Croquis Parisiens" series, was originally published in the satirical weekly magazine Le Charivari on May 28, 1856. The print showcases a man, dressed in formal attire, proudly holding a feather duster. He stands with an air of dignity and self-importance, gazing intently at the viewer. The man's expression conveys a sense of confidence and expectation, as if he believes he deserves to be a member of the supervisory board. The title of the work suggests that the man and those like him, perhaps of lower social class or occupation, are being overlooked and undervalued. The black and white composition, reminiscent of the 19th century, adds to the print's timeless appeal. The man's position and the use of the feather duster as a symbol of his perceived insignificance contribute to the satirical and humorous tone of the piece. The image serves as a commentary on social class and the pomposity of those in power, highlighting the absurdity of societal hierarchies. This work by Honore Daumier is a testament to the power of art as a means of social commentary and satire. It continues to resonate with contemporary audiences, inviting us to reflect on the role of social class and the importance of recognizing the value and dignity of all individuals. The print is held in the collection of the Los Angeles County Museum of Art (LACMA) and is an excellent example of Daumier's skill as a master of the lithographic medium.
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