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Khant musician, 1862-1887. Creator: Mikhail Znamensky
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Khant musician, 1862-1887. Creator: Mikhail Znamensky
Khant musician, 1862-1887. From an album of 32 original watercolors from the library of Tsar Nicholas II. The subjects include scenes from Tobol'sk, Berezov, Obdorsk (present-day Salekhard), and other localities in Tobol'sk Province; the different ethnic groups living in this region of Siberia (Russians, Tatars, Ostiaks, Samoyeds); scenes of everyday life and work; as well as several historical themes, including the "Conquest of Siberia" and "Siberia as a Place of Exile." Russian State Library
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Media ID 35141647
© Heritage Art/Heritage Images
Anthropology Ethnography Ethnology Harp Khanty Mikhail Stepanovich Znamensky Mikhail Znamensky Ostyak Samoyed Selkup Siberia Siberian Stringed Instrument Znamensky Mikhail Meeting Of Frontiers Playing An Instrument
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EDITORS COMMENTS
This watercolor painting, created by Mikhail Znamensky between 1862 and 1887, depicts a Khant musician from the Tobol'sk Province in Siberia. The image is part of an album of 32 original watercolors from the library of Tsar Nicholas II, showcasing various scenes from Tobol'sk, Berezov, Obdorsk (present-day Salekhard), and other localities in the region. The Khant musician is dressed in traditional clothing, with a colorful, patterned tunic and trousers, worn over a long-sleeved shirt. He is seated indoors, near a window, and is accompanied by a faithful dog. In his hands, he holds a harp, a musical instrument commonly used by the Khant, Ostiak, and Samoyed peoples of Siberia. The painting provides a glimpse into the everyday life and culture of the people living in this remote region during the 19th century. The different ethnic groups, including Russians, Tatars, Ostiaks, Samoyeds, and Khants, are represented, showcasing their unique customs and traditions. The image also highlights the rich natural environment of Siberia, with its vast landscapes, forests, and wildlife. The meeting of frontiers between different cultures and the influence of the Russian conquest of Siberia are also reflected in the album's various scenes. Mikhail Znamensky's watercolor painting is a valuable contribution to the ethnographic and anthropological record of Siberia during the 19th century. It offers a unique perspective on the people, their clothing, and their way of life, providing a window into the past and a reminder of the diverse cultural heritage of Russia.
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