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Lady Golds Escort, 1894. Creator: Aubrey Beardsley
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Lady Golds Escort, 1894. Creator: Aubrey Beardsley
Lady Golds Escort, 1894. People in evening dress, possibly at a theatre. From The Yellow Book, Vol. III. A social satire which was not graciously received by the critics of the day. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364617
© Shirley Markham Collection/Heritage Images
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Lady Gold's Escort, 1894
EDITORS COMMENTS
is a captivating print that transports us back to the decadent world of late 19th-century Britain. Created by the renowned artist Aubrey Beardsley, this illustration was originally featured in "The Yellow Book, Vol. III" a publication known for its daring social satire. In this scene, we find ourselves amidst an elegant gathering of people dressed in exquisite evening attire, possibly at a theater. The men don dapper top hats and formal suits while the women exude grace and sophistication with their elaborate dresses and stylish hats. Amidst them all stands Lady Gold herself - an elderly woman who defies societal norms with her audacious presence. Beardsley's meticulous graphic design skills are evident in every detail of this artwork. His use of bold lines creates striking contrasts between light and shadow, enhancing the overall dramatic effect. Through his unique style influenced by Art Nouveau movement, Beardsley captures both the opulence and underlying tension within this society. Although initially met with criticism from contemporary critics due to its satirical nature, "Lady Gold's Escort" has since become recognized as one of Beardsley's most iconic works. Its inclusion in "The Best of Beardsley" anthology further solidifies its significance within art history. This timeless piece serves as a testament to Beardsley's talent as well as his ability to challenge societal conventions through visual storytelling. As we gaze upon it today, we are reminded not only of the artistic brilliance behind it but also how art can provoke thought and ignite conversations about our own time and place in history.
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