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Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric), c. 1780. Creator: Oberkampf Manufactory
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Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric), c. 1780. Creator: Oberkampf Manufactory
Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric), France, c. 1780. Designed by Jean Baptiste Huet after Jean Baptiste Greuze, manufactured by Oberkampf Manufactory
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Media ID 24154983
© Heritage Art/Heritage Images
Allegorical Christophe Philippe Oberkampf Christophe Phillipe Oberkampf Cloth Copper Plate Printing Copperplate Printed Copperplate Printing Cotton Cotton Plain Weave Crowning Cupid Floral Print Furnishing Garland Garlands Greuse Jean Baptiste Greuze Jean Baptiste Houet Jean Baptiste Huet Jean Baptiste Huet Jean Baptiste I Huet Jean Baptiste Marie Jean Baptiste Greuse Jean Baptiste Greuze Jean Baptiste Houet Jean Baptiste Hüet Jean Baptiste Huet I Jean Baptiste Marie Huet Oberkampf Christophe Philippe Oberkampf Christophe Phillipe Oberkampf Manufactory Printed Roses Soft Furnishing Spring Toile Toile De Jouy Allegorical Figure Floral Pattern Interior Design
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EDITORS COMMENTS
This print showcases "Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric)" from 1780, created by the renowned Oberkampf Manufactory in France. The design, inspired by Jean Baptiste Greuze and brought to life by Jean Baptiste Huet, is a true masterpiece of 18th-century art. The fabric itself is made of cotton plain weave and features an exquisite copperplate printed floral pattern. Delicate flowers intertwine with garlands, creating a symphony of color and beauty. The attention to detail is remarkable, as every petal and leaf seems to come alive on the fabric's surface. In this allegorical scene, we witness the crowning moment of the Rose Maiden. A young female figure stands at the center surrounded by cupid figures who adorn her with a garland. This symbolic representation celebrates femininity and nature's bounty. Displayed indoors within an art gallery or institute like the Art Institute Chicago, this piece adds elegance and charm to any interior decoration scheme. It serves as a testament to French artistic excellence during that era. As we admire this heritage artwork today, we pay homage not only to Christophe Philippe Oberkampf but also to all those involved in its creation - from designers like Greuze and Huet to skilled craftsmen who perfected copperplate printing techniques. Their collective efforts have left us with a timeless treasure that continues to inspire generations with its grace and allure.
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