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Madame de Sorquainville, nee Genevieve Antoinette Le Pelletier de Martainville

Madame de Sorquainville, nee Genevieve Antoinette Le Pelletier de Martainville


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Madame de Sorquainville, nee Genevieve Antoinette Le Pelletier de Martainville

Madame de Sorquainville, ne e Genevie ve Antoinette Le Pelletier de Martainville (1690-1781), 1749. Found in the Collection of Muse e du Louvre, Paris

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Media ID 15346208

© Rococo / Heritage-Images

Jean Baptiste 1715 1783 Musee Du Louvre Pastel On Paper Perronneau 1749 Rococo


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> Arts > Art Movements > Rococo

> Arts > Artists > P > Jean-Baptiste Perronneau

> Europe > France > Paintings

> Europe > France > Paris > Museums > The Louvre

> Europe > France > Paris > Sights > Louvre


EDITORS COMMENTS
This exquisite pastel portrait captures the elegance and grace of Madame de Sorquainville, nee Genevieve Antoinette Le Pelletier de Martainville. Painted in 1749 by Jean Baptiste Perronneau, this masterpiece is now housed in the prestigious Musee du Louvre in Paris. Madame de Sorquainville, a prominent figure of her time, lived from 1690 to 1781 and was known for her beauty and sophistication. In this painting, she exudes an air of confidence as she gazes directly at the viewer with piercing blue eyes. The artist's meticulous attention to detail is evident in every stroke of his brush. The delicate folds of Madame de Sorquainville's sumptuous gown are rendered with precision, showcasing the opulence of Rococo fashion. Her powdered wig is adorned with intricate curls that frame her face flawlessly. Perronneau masterfully captures not only Madame de Sorquainville's physical appearance but also hints at her personality through subtle nuances. There is a sense of intelligence and wisdom behind those captivating eyes – a testament to her refined upbringing and social standing. This stunning portrait serves as a window into the world of French aristocracy during the 18th century. It encapsulates both the artistic brilliance of Perronneau and the timeless allure of Madame de Sorquainville herself. As we admire this remarkable piece, we can't help but be transported back in time to an era defined by

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