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Mahomet Ali Arriving in Constantinople, c1847. Artist: Jean Adolphe Beauce
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Mahomet Ali Arriving in Constantinople, c1847. Artist: Jean Adolphe Beauce
Mahomet Ali Arriving in Constantinople, c1847. Muhammad Ali (1769-1849) was the Ottoman Viceroy of Egypt from 1805 until 1849. He is generally regarded as the architect of modern Egypt. A print from 19th Century Egypt, 1847
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Media ID 14873040
© Artmedia / Heritage-Images
Arrival Arriving Beauc Beauce Disembarkation Disembarking Istanbul Jean Adolphe Jean Adolphe Beauc Jean Adolphe Beauce Mahomet Ali Mehemet Ali Mohammed Ali Mohammed Ali Pasha Muhammad Ali Ottoman Ottoman Empire Turkey Turkish Viceroy Viceroy Of Egypt Print Collector3
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Mahomet Ali Arriving in Constantinople, c1847 - A Glimpse into the Architect of Modern Egypt
EDITORS COMMENTS
. This print captures a significant moment in history as Mahomet Ali, the renowned Ottoman Viceroy of Egypt, arrives in Constantinople. Painted by Jean Adolphe Beauce in the mid-19th century, this artwork provides us with a vivid depiction of an influential figure who shaped modern Egypt. Mahomet Ali (1769-1849) is widely regarded as the mastermind behind Egypt's transformation during his reign from 1805 to 1849. As he disembarks from his boat onto Turkish soil, we witness a powerful ruler stepping foot into one of the most prominent cities of the Ottoman Empire. The artist skillfully uses color and detail to bring this historical scene to life. The vibrant hues transport us back to that era and allow us to imagine what it must have been like witnessing such an arrival firsthand. Surrounded by soldiers and warships on calm waters, Mahomet Ali exudes authority and confidence. His presence signifies not only his own power but also represents the strength and influence of Egypt within the empire. Through this print, we are reminded of Mahomet Ali's remarkable legacy as an architect who transformed a nation. It serves as a testament to his vision for progress and development while highlighting Istanbul's significance as a hub for political affairs during that time. As we admire this piece, let us appreciate its historical value and acknowledge Mahomet Ali
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