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Masquerade Ticket, 1727, (1827). Creator: Unknown
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Masquerade Ticket, 1727, (1827). Creator: Unknown
Masquerade Ticket, 1727, (1827). Mock entrance ticket to a licentious masquerade with erotic symbolism: a statue of Priapus with antlers below; the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held by a monkey in a surplice; Venus and Cupid, pointing his arrow towards the revellers, with hearts burning in a fire underneath; Lecherometers including the words expectation, hope, hot, desire, moist; a clock with the head of Heidegger, its hands labelled Wit and Impertinence, flanked by a lion and unicorn holding their tails in a masturbatory gesture. Engraving after the original made in 1727 by Hogarth. From " The Works of Wiliam Hogarth", Volume II, by The Rev. John Trusler. [J. Goodwin, London, 1827]
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Media ID 18777210
© The Print Collector/Heritage Images
Altar Antler Antlers Clock Cupid Goodwin Heat Hogarth J Goodwin John Trusler Masquerade Masturbation Party Priapo Priapus Rev John Trusler Revd John Trusler Reverend John Trusler Sexual Sexuality Sexy Supper The Works Of William Hogarth Ticket Time Trusler Venus W Hogarth William Hogarth Allegorical Figure Roman Mythology
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EDITORS COMMENTS
This print captures the essence of a masquerade ticket from 1727, recreated in 1827 by an unknown artist. The intricate engraving showcases a licentious masquerade filled with erotic symbolism that was characteristic of the time. At first glance, one's eyes are drawn to the statue of Priapus adorned with antlers, symbolizing fertility and lust. Intriguingly, the figure of Time is depicted being stabbed by both a bishop and a butcher, his blood flowing into a bowl held by a mischievous monkey wearing clerical attire. This provocative scene suggests the corruption within religious institutions and their involvement in indulgent activities. Further exploration reveals Venus and Cupid pointing an arrow towards revelers while hearts burn in flames beneath them. This portrayal signifies desire and passion ignited among those attending this extravagant event. Lecherometers scattered throughout the image indicate varying levels of sexual anticipation - expectation, hope, hotness, desire, moistness - providing insight into the hedonistic nature of these gatherings. A clock featuring Heidegger's head serves as a central element flanked by a lion and unicorn engaging in suggestive tail gestures. These elements allude to masturbation as well as wit and impertinence associated with such festivities. This remarkable engraving after William Hogarth's original work offers us glimpses into society's fascination with sexuality during this period. It invites contemplation on themes like religion versus debauchery, desire versus restraint; ultimately leaving viewers intrigued by its complex narrative woven through layers of allegorical figures intertwined with mythological references.
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