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Messieurs les juré... l'accusé a tué Jean Maclou... 19th century. Creator: Honore Daumier
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Messieurs les juré... l'accusé a tué Jean Maclou... 19th century. Creator: Honore Daumier
Messieurs les jure... l'accuse a tue Jean Maclou... 19th century.
The Philanthropists of the Day - Gentlemen of the jury... The accused killed Jean Maclou
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Caricatures Cartoons Court Court Of Law Daumier Honore Daumier Honore Victorin Discussing Discussion H Daumier Hearing Honore Daumier Honore Victorin Daumier Killing Law Court Lithographic Looking At Each Other Speaking Talking Lithotint Parody Satirical
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EDITORS COMMENTS
Messieurs les Jurés... L'Accusé a Tué Jean Maclou" (Gentlemen of the jury... The accused killed Jean Maclou), a captivating lithograph by the renowned 19th-century French artist Honore Daumier, offers a profound commentary on the judicial process and the role of morality in the courtroom. This monochrome masterpiece, created in the mid-1800s, is a poignant caricature of the jurors in deep discussion during a trial. The image, filled with grey tones, depicts a group of serious-faced men, all dressed in formal attire, intently examining each other as they weigh the evidence before them. The accused, not visible in the frame, has allegedly taken the life of Jean Maclou, yet the jurors appear more engrossed in their own thoughts and conversations than the gravity of the situation at hand. Daumier's satirical touch is evident in the subtle details, such as the lettering above their heads that reads "The Philanthropists of the Day," which ironically contrasts with the grim subject matter. The title, "Messieurs les Jurés... L'Accusé a Tué Jean Maclou," is also written in the same lettering style, further emphasizing the irony. This lithograph, with its intriguing concept and humorous yet thought-provoking commentary, is an essential addition to any art collection focusing on the 19th century or the works of Honore Daumier. It invites viewers to ponder the complexities of the legal system, the role of morality in decision-making, and the power of satire to challenge societal norms. Originally created as a lithograph or lithotint, this work has been preserved in various art galleries and museums, including the National Gallery of Art in Washington, D.C. It continues to captivate audiences and spark intrigue, making it a valuable piece of both French and global artistic heritage.
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