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Mon pauvre azor qu'est mort!... 19th century. Creator: Honore Daumier

Mon pauvre azor qu'est mort!... 19th century. Creator: Honore Daumier


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Mon pauvre azor qu'est mort!... 19th century. Creator: Honore Daumier

Mon pauvre azor qu'est mort!... 19th century.
Whatever you want - My poor azor died

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Media ID 36317636

© Heritage Art/Heritage Images

Caricatures Cartoons Daumier Honore Daumier Honore Victorin H Daumier Honore Daumier Honore Victorin Daumier Lithographic Looking At Each Other Old Woman Old Women Tout Ce Quon Voudra Whatever You Want Lithotint Parody Satirical


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> Arts > Artists > D > Honore Daumier

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Mon pauvre azor qu'est mort!

EDITORS COMMENTS
(My poor 'azor' is dead!) is a poignant and humorous lithograph created by the renowned French artist Honore Daumier in the 19th century. This black and white image, also known as "Tout ce quon voudra" (Whatever you want), depicts two old women, dressed in traditional French attire, looking at each other with somber expressions while holding a shawl or cloth labeled "azor." The title of the piece reflects the women's mournful lamentation over the loss of their beloved companion, possibly a pet or a friend named Azor. Daumier, a master of caricature and satire, expertly captures the emotional depth and human connection in this simple yet powerful scene. The use of monochrome and the contrasting textures of the women's clothing and the shawl add to the overall mood and create a sense of timelessness. This piece is a testament to Daumier's ability to convey complex emotions and ideas through his illustrations. Originally created as a lithograph or lithotint, "Mon pauvre azor qu'est mort!" has been exhibited in various art galleries and museums around the world, including the National Gallery of Art in Washington, D.C. The piece is a valuable addition to the heritage of French and European art, showcasing the rich cultural history and the enduring appeal of Daumier's work. This image is a reminder of the universal experience of loss and the importance of cherishing the connections we have with those around us. It is a must-have for any art collection, art centre, or gallery dedicated to the works of Honore Daumier or the history of caricature and satire.

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