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Morning, or, the Man of Taste, 1802-11. Creator: Unknown

Morning, or, the Man of Taste, 1802-11. Creator: Unknown


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Morning, or, the Man of Taste, 1802-11. Creator: Unknown

Morning, or, the Man of Taste, 1802-11

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Media ID 22177527

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Breakfast Bunbury Henry William Gambado Geoffrey Geoffrey Gambado Georgian Hand Colored Etching Henry Bunbury Henry William Bunbury Morning Servant Servants Serving Tables Parody Satirical


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> Arts > Artists > B > Henry William Bunbury

> Arts > Artists > D > William Day

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Posters

> Europe > United Kingdom > England > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Morning, or, the Man of Taste - A Satirical Glimpse into 19th Century British Society

EDITORS COMMENTS
. This intriguing hand-colored etching from 1802-11 offers a humorous and satirical commentary on the social customs and fashion trends of Georgian England. Created by an unknown artist, this artwork titled "Morning, or, the Man of Taste" provides a captivating snapshot of daily life during that era. The scene depicts a well-dressed man sitting at a breakfast table in an opulent country house. The attention to detail in both costume and furniture highlights the artist's keen observation skills. With exaggerated caricatures and witty captions accompanying each character, this print serves as a parody on societal norms. Intriguingly, we witness servants serving breakfast to the man while he indulges himself with his morning meal. This portrayal sheds light on class distinctions prevalent at that time. The contrast between the elegant female servant attending to his needs and the man's self-absorbed demeanor adds depth to this piece. Through its clever use of satire and humor, "Morning, or, the Man of Taste" invites viewers to reflect upon their own notions of taste and style while providing insight into early 19th-century Britain. This artwork is housed within The Metropolitan Museum of Art (The Met), where it continues to captivate visitors with its timeless charm. As we gaze upon this remarkable print today, we are reminded once again that art has always been an avenue for social critique – allowing us

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