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The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796
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The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)
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Media ID 15142191
© Historica Graphica Collection / Heritage-Images
Barrels Cupid Dream Dreams Hand Coloured Engraving Housemaid Illegitimacy James Gillray 1756 1815 Money Bags Orange Trees Political Satire Pregnancy Prince Of Orange Rake Reclining William V Commentary Historica Graphica Collection Pitch Fork
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This hand-coloured engraving titled "The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796" is a captivating piece from the 18th century. Created by James Gillray, a renowned British caricaturist and printmaker, this artwork offers a satirical commentary on various social and political aspects of its time. In this scene, we see an array of characters amidst orange trees in an orangerie. At the center lies a naked male figure representing the Prince of Orange, known as the Dutch Cupid. He reclines lazily with money bags scattered around him while holding a pitchfork symbolizing his rake-like behavior. Surrounding him are pregnant milkmaids and women engaged in different activities such as planting and housekeeping. Gillray's illustration cleverly addresses themes like illegitimacy, wealth disparity, and political satire through symbolism and humor. The artist uses exaggerated figures to highlight societal issues prevalent during that era. "The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting" invites viewers to reflect on power dynamics, moral decadence, and economic inequalities within society. This historical print serves as both entertainment and social critique for those who appreciate art infused with wit.
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