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Osmington Village, 1816 to 1817. Creator: John Constable

Osmington Village, 1816 to 1817. Creator: John Constable


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Osmington Village, 1816 to 1817. Creator: John Constable

Osmington Village; View of Osmington Village with the Church and Vicarage; Osmington Village, with the Church and Vicarage, 1816 to 1817

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Media ID 20766397

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Alter Constable John Downhill Gradient John Constable Paintings Romantic Era Rooftop Rooftops Woods Yale Center For British Art


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Romanticism

> Arts > Artists > C > John Constable

> Arts > Artists > H > John Hillers

> Arts > Artists > H > John Hills

> Arts > Artists > John Constable > Landscape paintings

> Arts > Artists > John Constable > Nature and scenery

> Arts > Artists > John Constable > Romanticism art

> Arts > Artists > John Constable

> Arts > Artists > W > John Wood


EDITORS COMMENTS
This print by John Constable transports us back to the picturesque Osmington Village in 1816-1817. With his masterful brushstrokes, Constable captures the essence of this charming British countryside with its rolling hills and quaint village houses. The focal point of the painting is undoubtedly the beautiful church and vicarage, standing proudly amidst the landscape. The vibrant colors bring life to every detail, from the red rooftops to the lush greenery surrounding them. It's as if time has stood still in this idyllic setting. As we gaze at this artwork, we can't help but imagine ourselves walking down that winding road, accompanied by women dressed in traditional attire. Their presence adds a touch of humanity to an otherwise serene scene. Constable's love for nature shines through in every stroke; he expertly portrays both woodlands and open fields with equal brilliance. The gradient of the hill creates a sense of depth and invites our eyes to explore further into this enchanting vista. This oil painting not only showcases Constable's immense talent but also serves as a window into Britain's rich heritage during the Romantic era. Its beauty is timeless and reminds us why landscapes have always been such beloved subjects in art history. Displayed at Yale Center for British Art, this masterpiece continues to captivate viewers with its evocative portrayal of Osmington Village over two centuries ago.

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