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Paul Verlaine, (Usher in Private School at Bournemouth, 1877-1878), 1904. Artist: Max Beerbohm
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Paul Verlaine, (Usher in Private School at Bournemouth, 1877-1878), 1904. Artist: Max Beerbohm
Paul Verlaine, (Usher in Private School at Bournemouth, 1877-1878), 1904. Illustration from The Poets Corner, by Max Beerbohm, (London, 1904)
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Media ID 14918730
© The Print Collector / Heritage-Images
Alcoholic Alcoholism Beerbohm Henry Maximilian Beerbohm Max Beerbohm Paul Paul Verlaine Private School Public School Pupil School Sir Henry Maximilian Beerbohm Sir Max Beerbohm Top Hat Usher Verlaine
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In this photo print, we are transported back to the late 19th century, where Paul Verlaine, a renowned French poet and writer, takes on an unexpected role as an usher in a private school at Bournemouth. Created by the talented artist Max Beerbohm in 1904 for his book "The Poets Corner" this colorful illustration showcases Verlaine's unique journey. Verlaine, with his signature top hat and distinguished attire, stands amidst a group of young boys who attend the school. The contrast between the serious expression on his face and the playful nature of the children creates a whimsical atmosphere within this caricature-like scene. As we delve deeper into Verlaine's life story, it becomes apparent that he battled alcoholism throughout his career. This aspect is subtly hinted at through Beerbohm's artistic choices - perhaps symbolizing Verlaine's struggle against personal demons while fulfilling his duties as an usher. Beerbohm masterfully captures not only Verlaine's occupation but also highlights his significant contributions to literature and poetry. Through this artwork, we witness how individuals from different countries come together within educational institutions to shape minds and inspire future generations. This remarkable print serves as both a visual delight and historical documentation of two prominent figures colliding in time - Paul Verlaine and Max Beerbohm - leaving us with an enduring image that speaks volumes about their respective legacies.
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