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Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest
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Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest
Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs).n.d. Satire of Louis XIV and James II with William III playing a cello
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Media ID 20574559
© Heritage Art/Heritage Images
Audience Cellist Cello Cello Player Circus Circus Ring Downfall Duke Of York Fallen Falling Hooch Hooch Romeyn De Hooge Hooge Romeyn De Hoogh Hoogh Romeyn De Hooghe Hooghe Romain De Hooghe Romeyn De James Ii James Ii And Vii James Ii King Of England And Ireland James Ii Of England James Stuart James Vii Of Scotland King James Ii King James Ii Of England King Louis Xiv Of France King Of England And Ireland King Of France King William Iii Le Roi Soleil Letterpress Louis Dieudonn And Xe9 Louis Dieudonne Louis Xiv Louis Xiv King Of France Louis Xiv Of France Prince Of Orange Prince William Of Orange Romain De Romain De Hooghe Romein De Hooghe Romeyn De Romeyn De Hooch Romeyn De Hooge Romeyn De Hoogh Romeyn De Hooghe Spectator Stuart Stuart James The Sun King Tightrope Tightrope Walker William Iii King Of England William Iii Of England William Of Orange William Stuart Baroque Era Big Top
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EDITORS COMMENTS
The print titled "Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten" is a captivating piece of satire from the 17th century. It depicts an intriguing scene where Louis XIV of France and James II of England are portrayed in a circus setting, with William III playing a cello. In this baroque-era artwork by Romeyn de Hooghe, we witness the downfall of these powerful monarchs. The concept behind the image suggests that the first to fall will bear the cost while the last one will pay for all expenses incurred. The etching showcases a black and white composition within a circus tent or big top. The crowd gathers around to witness this dramatic event unfold. As James II and Louis XIV tumble down from their positions of power, they find themselves at the mercy of fate. William III's presence as he plays his cello adds an interesting twist to this historical satire. Perhaps it symbolizes his role as an outsider who ultimately triumphs over both kings. This heritage art piece offers us a glimpse into the political climate and tensions during that time period. It serves as a reminder that even those in positions of great authority can face unexpected falls from grace. Overall, "Paye qui Tombe" is not only visually striking but also thought-provoking in its portrayal of power dynamics and consequences faced by those who hold it.
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