William Iii Of England Collection

William III, when Prince of Orange, 1651. Creator: Jan Verkolje
William III, when Prince of Orange, 1651

Venus and Amor, 1605-1610. Creator: Jacques de Gheyn II
Venus and Amor, 1605-1610. Other Title(s): Venus and Amor

Design for glass window 8 donated by Prince Willem Hendrik at the age of seventeen, 1665-1667. Creator: Pieter Jansz
Design for glass window 8 donated by Prince Willem Hendrik at the age of seventeen, 1665-1667

Arch of Honour for King William III at The Hague, 1691, (1691). Creator: Jan van Call
Arch of Honour for King William III at The Hague, 1691, (1691). Triumphal arch on the Buitenhof for the visit of King William III to The Hague, 5 February 1691

Portrait of Mary Stuart (1662-95), Wife of Prince William III, c.1683. Creator: Gaspar Netscher
Portrait of Mary Stuart (1662-95), Wife of Prince William III, c.1683

Portrait of William III, Prince of Orange and Stadholder, c.1680-c.1684. Creator: Gaspar Netscher
Portrait of William III, Prince of Orange and Stadholder, c.1680-c.1684. Other Title(s): William III (1650-1702), Prince of Orange and since 1689, King of England

Allegory on the French Invasion of 1672, 1672. Creator: Johannes van Wijckersloot
Allegory on the French Invasion of 1672, 1672

Portrait of Willem III (1650-1702), Prince of Orange, as a Child, 1654. Creator: Adriaen Hanneman
Portrait of Willem III (1650-1702), Prince of Orange, as a Child, 1654. Other Title(s): Portrait of Willem III (1650-1702), Prince of Orange, as a Child, William III (1650-1702), Prince of Orange

Portrait of Willem III, in state dress, 1670-1684. Creator: Gaspar Netscher
Portrait of Willem III, in state dress, 1670-1684

Portrait of Willem III (1650-1702), Prince of Orange and since 1689, King of England, 1670-1684

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to t Creator
Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General, 1661

Portrait of William III (1650-1702), Prince of Orange, Stadholder and...King of Eng...c.1692-c.1697
Portrait of William III (1650-1702), Prince of Orange, Stadholder and from 1689 on, King of England, c.1692-c.1697

The Battle of the Boyne, Ireland, between Kings James II and William III, 12 July 1690, 1690-1733

Portrait of Willem III (1650-1702), Prince of Orange, c.1653. Creator: Workshop of Gerard van Honthorst
Portrait of Willem III (1650-1702), Prince of Orange, c.1653

Portrait of William III (1650-1702), Prince of Orange, 1680-1710. Creator: Willem Wissing
Portrait of William III (1650-1702), Prince of Orange, 1680-1710

Prince's Day, 1660-1679. Creator: Jan Steen
Prince's Day, 1660-1679. Other Title(s): Prince's day: celebrating the birthday of Prince William III

Portrait of William III (1650-1702), Prince of Orange, 1680-1710. Creator: Willem Wissing
Portrait of William III (1650-1702), Prince of Orange, 1680-1710

William III (1650-1702), Prince of Orange and since 1689, King of England, 1670-1733. Creator: Unknown
William III (1650-1702), Prince of Orange and since 1689, King of England, 1670-1733. Copy after Caspar Netscher

William III (of Orange), (c1911). Creator: Unknown
William III (of Orange), (c1911). King William III of Great Britain and Ireland. From a painting by Jan Wyck. In the National Portrait Gallery'

Portrait of William III of Orange (1650-1702). Creator: Maas, Dirck (1658-1717)
Portrait of William III of Orange (1650-1702). Private Collection

'Bird's Eye View of Hampton Court Palace as finished by William III, 1891. Creator: Unknown
'Bird's Eye View of Hampton Court Palace as finished by William III, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Box, between 1720 and 1740. Creator: Unknown
Box, between 1720 and 1740

William III, King of England, 1690s. Creator: Pieter Schenk
William III, King of England, 1690s

"James II. in his Palace of Whitehall, Receiving the News...", 1850. Creator: Unknown. "James II
"James II. in his Palace of Whitehall, Receiving the News of the Landing of the Prince of Orange in 1688" - painted by E. M. Ward, A.R.A. 1850. Exhibition at the Royal Academy in London

Study for Sculpture of William III, n.d. Creator: John Michael Rysbrack
Study for Sculpture of William III, n.d

William III. At the Battle of the Boyne, (1690), 1890. Creator: Unknown
William III. At the Battle of the Boyne, (1690), 1890. Battle of the Boyne in Drogheda, 1690 when William of Orange defeated James VII and II of Scotlands attempt to regain the British crown

The Bill of Rights Presented to William and Mary, 1689, (mid 19th century). Creator: Unknown
The Bill of Rights Presented to William and Mary, 1689, (mid 19th century). King William III (1650-1702) and Queen Mary II (1662-1694) of Great Britain agreeing an Act of Parliament

Dr W. Sherlock, (c1641-1707), 1830. Creator: Unknown
Dr W. Sherlock, (c1641-1707), 1830. William Sherlock (c1641-1707) English church leader educated at St Saviours Grammar School

Sir W. Temple, (1628-1699), 1830. Creator: Unknown
Sir W. Temple, (1628-1699), 1830. Sir William Temple (1628-1699) English statesman and essayist educated at Emmanuel College, Cambridge who as a diplomat

Radcliffe, (1650-1714), 1830. Creator: Unknown
Radcliffe, (1650-1714), 1830. John Radcliffe (1650-1714) English physician, academic and politician educated at the University of Oxford

Mary, (1662-1694), 1830. Creator: Unknown
Mary, (1662-1694), 1830. Mary II (1662-1694) Queen of England, Scotland, and Ireland, with her husband, William III & II, from 1689 until her death

The Landing of King William III. After the Peace of Kyswick, 1697, 1888. Creator: Unknown
The Landing of King William III. After the Peace of Kyswick, 1697, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

A Council of War after the Landing of the Prince of Orange; after H. Gillard Glindoni, 1888. Creator: Williamson
A Council of War after the Landing of the Prince of Orange; after H. Gillard Glindoni, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

Fire Fan, England, 1701/25. Creator: Unknown
Fire Fan, England, 1701/25. Hand-held fire screen, full length male figure holding orb and sceptre

Portrait of William III of England (engraving)
960088 Portrait of William III of England (engraving) by English School, (19th century); Private Collection; (add.info.: King William III of England.); © Look and Learn

Statue of William III, by T Woolner, in Westminster Hall (engraving)
1588520 Statue of William III, by T Woolner, in Westminster Hall (engraving) by English School, (19th century); Private Collection; (add.info.: Statue of William III, by T Woolner)

Portrait of William III of England (engraving)
959999 Portrait of William III of England (engraving) by English School, (19th century); Private Collection; (add.info.: William III, Prince of Orange)

King William III Statue (coloured photo)
816528 King William III Statue (coloured photo) by English School, (19th century); Private Collection; (add.info.: King William III Statue, College Green, Dublin.); Look and Learn / Elgar Collection

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs).n.d

Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe
Anticurius van Loevesteyn.n.d. John de Witt sits on a chair as Freedom descends on a cloud bearing the arms of William III

Frontispice pour le "Tombeau de Guillaume III"
Frontispice pour le " Tombeau de Guillaume III" (Frontispiece for the Tomb of William III), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes)

William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II, .n.d

Entrance of William III into The Hague (Inhaling van S. K. Maj
Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet vans Gravenhage / Reception de sa Majeste au pont du Westende) from Bidloo

The Ruins of Mellifont Abbey, 1898. Creator: Unknown
The Ruins of Mellifont Abbey, 1898. Cistercian abbey on the River Mattock, close to Drogheda in County Louth, Ireland was William of Oranges headquarters in 1690 during the Battle of the Boyne

A Gala Day at Hampton Court, c1870. Building of Hampton Court Palace at Richmond upon Thames began in 1515 for Thomas Wolsey, and was expanded for King William III in 17th century

Schomberg, (1615-1690), 1830. Creator: Unknown
Schomberg, (1615-1690), 1830. Frederick Armand de Schomberg (1615-1690) born in Heidelberg, orphaned within a few months of birth, educated by family friends including Frederick V

Sir G. Rooke, (1650-1709), 1830. Creator: Unknown
Sir G. Rooke, (1650-1709), 1830. Sir George Rooke (1650-1709) English naval officer who served in the Battle of Solebay and the Battle of Schooneveld during the Third Anglo-Dutch War

M. Prior, (1664-1721), 1830. Creator: Unknown
M. Prior, (1664-1721), 1830. Matthew Prior (1664-1721) English poet and diplomat educated at Westminster School and St Johns College, Cambridge, appointed a gentleman to William III

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"William III of England: A Legacy Carved in History" From his decisive victory at the Battle of the Boyne to his enduring influence on English politics, William III left an indelible mark on the nation. In this collection of captivating images, we catch glimpses of a complex monarch who shaped an era. The first image takes us back to 1690, as William III stands tall amidst the chaos and triumphs at the Battle of the Boyne. An unknown artist skillfully captures his determined gaze and regal presence, showcasing his military prowess. Moving forward in time, we encounter Dr. W. Sherlock's portrait from 1830. This depiction offers a glimpse into William III's private life and intellectual pursuits—a man not only skilled in warfare but also deeply engaged with matters of philosophy and knowledge. Sir W. Temple's portrait further reveals another facet of William III's character—the statesman. Painted around 1830 by an anonymous artist, it showcases him as a thoughtful leader navigating through turbulent political waters during his reign. In contrast to these portraits is Radcliffe's portrayal from 1830—an intimate moment between husband and wife captured for eternity. Here we witness Mary II standing beside her beloved husband, their unity symbolized by The Bill of Rights Presented to them in 1689—a testament to their joint commitment towards upholding liberty and justice. As we delve deeper into history, we find ourselves witnessing significant moments such as The Landing of King William III after the Peace of Kyswick in 1697—an event that marked both diplomacy and power projection—depicted here anonymously in stunning detail from 1888. A Council of War after Prince Orange's landing comes alive before our eyes through H. Gillard Glindoni’s artwork based on historical events—an intense gathering where strategies were devised under William III’s watchful eye; a true commander leading his troops towards victory.