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Pearly family in their donkey-drawn moke, London, 1926-1927. Artist: McLeish
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Pearly family in their donkey-drawn moke, London, 1926-1927. Artist: McLeish
Pearly family in their donkey-drawn moke, London, 1926-1927. Cockney Pearly kings (originally costermongers - fruit and vegetable sellers), wore suits covered in mother-of-pearl buttons. Illustration from Wonderful London, volume I, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)
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Media ID 14937813
© The Print Collector / Heritage-Images
Adcock Arthur St John Arthur St John Adcock Cart Cockney Costermonger Daughter Donkey Husband John Adcock Londoner Mcleish Mother Of Pearl Photogravure Shell Tradition Typical Wife Moke Pearly King Pearly Queen Traditional Dress
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EDITORS COMMENTS
This photograph captures the Pearly family in their donkey-drawn moke, a traditional mode of transportation in London during the 1920s. The artist, McLeish, skillfully portrays this iconic Cockney family who were known for their distinctive fashion sense. Originally costermongers - fruit and vegetable sellers - they proudly wore suits adorned with an abundance of shimmering mother-of-pearl buttons. The image is taken from "Wonderful London" volume I, edited by Arthur St John Adcock and published by Amalgamated Press in 1926-1927. It provides a fascinating glimpse into the vibrant culture of early 20th century Britain. In this snapshot, we see the entire Pearly family posing together. The father stands tall with his wife at his side while their daughter gazes directly at the camera with an air of confidence. Each member exudes pride as they showcase their traditional dress and accessories that symbolize their Cockney heritage. London's bustling streets serve as a backdrop to this charming scene, emphasizing both the city's rich history and its ever-evolving nature. This photograph not only captures a moment frozen in time but also serves as a testament to the enduring traditions passed down through generations. McLeish's expert composition combined with Arthur St John Adcock's editorial vision has resulted in an evocative portrait that encapsulates both nostalgia for a bygone era and admiration for cultural diversity within urban communities like London.
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