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Portrait of Alexandre Antoine, Count Colonna-Walewski (1844-1898), 1860. Artist: Winterhalter, Franz Xavier (1805-1873)

Portrait of Alexandre Antoine, Count Colonna-Walewski (1844-1898), 1860. Artist: Winterhalter, Franz Xavier (1805-1873)


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Portrait of Alexandre Antoine, Count Colonna-Walewski (1844-1898), 1860. Artist: Winterhalter, Franz Xavier (1805-1873)

Portrait of Alexandre Antoine, Count Colonna-Walewski (1844-1898), 1860. Found in the collection of the Patrimoine comte Charles-Andre Colonna Walewski

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Media ID 14896090

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Emperor Napoleon Franz Xavier 1805 1873 Mademoiselle Rachel Marie Walewska Napol On Bonaparte Napoleon Pastel On Cardboard Rachel Walewska Winterhalter Academic Art Alexandre Walewski


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EDITORS COMMENTS
This exquisite portrait print captures the dignified presence of Alexandre Antoine, Count Colonna-Walewski, a prominent figure in 19th-century France. Painted by the renowned artist Franz Xavier Winterhalter in 1860, this artwork showcases his mastery of capturing both physical likeness and inner character. Count Colonna-Walewski was not only recognized for his noble lineage but also for his significant contributions to French politics and society. As the illegitimate son of Emperor Napoleon Bonaparte and his mistress Marie Walewska, he possessed an intriguing blend of royal heritage and personal ambition. Winterhalter's attention to detail is evident in every stroke of pastel on cardboard, as he skillfully portrays Count Colonna-Walewski's refined features with a touch of aristocratic charm. The subject's piercing gaze conveys intelligence and determination while hinting at the weighty responsibilities he carried. The inclusion of Mademoiselle Rachel, one of the most celebrated actresses during that era, adds another layer to this composition. Her presence symbolizes Count Colonna-Walewski's connection to both high society and cultural circles. Displayed within the esteemed collection of Patrimoine comte Charles-Andre Colonna Walewski, this portrait serves as a testament to Winterhalter's status as one of Europe's premier painters during the academic art movement. It offers viewers a glimpse into an era defined by political intrigue, artistic brilliance, and complex family ties – all encapsulated

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