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Portrait of the Latrobe family of Fulneck, c18th century. Creator: Elias Martin

Portrait of the Latrobe family of Fulneck, c18th century. Creator: Elias Martin


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Portrait of the Latrobe family of Fulneck, c18th century. Creator: Elias Martin

Portrait of the Latrobe family of Fulneck, Unknown date

Heritage Images features heritage image collections

Media ID 36375982

© Heritage Art/Heritage Images

Bonnet Brother Churchman Clergyman Cleric Daughter Domestic Domestic Life Elias Martin Family Group Family Life Father Fatherhood Household Ireland Irish Large Family Martin Elias Parent Reverend Sibling Sister Sons Tables Antes Bateman Latrobe National Museum Sweden Nationalmuseum Sweden Sewing Stockholm National Museum


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Agnes Martin

> Arts > Artists > L > Benjamin Henry Latrobe

> Arts > Artists > L > Benjamin Latrobe

> Arts > Artists > M > Elias Martin

> Arts > Artists > T > Johann Friedrich

> Arts > Artists > W > Benjamin West

> Arts > Still life artwork > Still life art > Portrait painting

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Still life artwork > Oil paintings

> Arts > Still life artwork > Portrait painting


EDITORS COMMENTS
This 18th century portrait, titled "Portrait of the Latrobe family of Fulneck," is a beautiful representation of domestic life during this era in Britain. Created by renowned artist Elias Martin, the painting depicts the Latrobe family, including Benjamin Henry Latrobe, his wife Anna Margaretta, their children Christian Ignatius, Mary Agnes, Benjamin Henry Boneval, and their son and daughter, dressed in fashionable clothing of the time. The family is gathered inside their home, surrounded by furniture and adorned with intricate details, reflecting their affluence and status. The children, dressed in various colors and textures, display a sense of playfulness and innocence, while their father, Benjamin Henry, exudes an air of authority and wisdom as he gazes out at the viewer. The family's connection to Christianity is evident through their attire, with the children wearing bonnets and the clergyman, Benjamin Henry, wearing a clerical collar. This portrait provides a glimpse into the domestic life of a well-to-do family during the 18th century in Fulneck, Leeds, West Yorkshire, England, and is a testament to the rich heritage and history of this period in British art.

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