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Portrait of the poet Jan Andrzej Morsztyn (1621-1693), 1690. Creator: Rigaud, Hyacinthe François Honoré (1659-1743)
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Portrait of the poet Jan Andrzej Morsztyn (1621-1693), 1690. Creator: Rigaud, Hyacinthe François Honoré (1659-1743)
Portrait of the poet Jan Andrzej Morsztyn (1621-1693), 1690. Found in the Collection of the Royal Castle, Warsaw
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Media ID 36385278
© Fine Art Images/Heritage Images
Hyacinthe Francois Honore 1659 1743 Poland Rigaud Royal Castle Warsaw 1690
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EDITORS COMMENTS
This exquisite portrait captures the intellectual and artistic brilliance of Jan Andrzej Morsztyn, a renowned Polish poet and diplomat of the late Baroque period. Painted by the esteemed French artist Hyacinthe François Honoré Rigaud in 1690, the portrait is currently housed in the prestigious Collection of the Royal Castle in Warsaw. Morsztyn, born in 1621, was a prolific poet, known for his polished verses and mastery of various poetic forms. He was also a diplomat, serving the Polish-Lithuanian Commonwealth in various embassies in Europe. This dual role as a poet and diplomat is reflected in the portrait, which conveys both the refined elegance and the profound intellect of its subject. Rigaud, a prominent painter of the French Baroque period, expertly captures the essence of Morsztyn's character in this oil on canvas painting. The poet is depicted in a three-quarter view, dressed in a richly textured robe and a velvet cap, with a quill pen in hand and a book open on the table before him. The artist skillfully employs chiaroscuro, creating a sense of depth and volume, and the use of warm colors adds to the portrait's overall sense of warmth and vitality. The portrait of Jan Andrzej Morsztyn is not only a testament to the artistic prowess of Hyacinthe François Honoré Rigaud but also a powerful reminder of the intellectual and cultural richness of the Polish-Lithuanian Commonwealth during the late Baroque period. It continues to captivate viewers with its intricate details, evocative symbolism, and the timeless beauty of its subject.
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