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Portrait of a Young Man, c1663. Artist: Gerard Terborch II

Portrait of a Young Man, c1663. Artist: Gerard Terborch II


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Portrait of a Young Man, c1663. Artist: Gerard Terborch II

Portrait of a Young Man, c1663. Painting held in The National Gallery, London. From A History of Painting, Volume V by Haldane MacFall [T. C. and E. C. Jack, London & Edinburgh, 1911]

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Media ID 14963246

© The Print Collector

Borch Cloak Gerard Ii Gerard Ii Ter Gerard Ter Borch Ii Gerard Ter Borch The Younger Gerard Terborch Ii History Of Painting Jack National Gallery Tc And Ec Tc And Ec Jack Terborch Velvet Baroque Era


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > B > Gerard ter Borch

> Arts > Artists > T > Gerard Terborch

> Arts > Artists > Y > Art Young

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > Scotland > Aberdeenshire > Red Cloak

> Europe > United Kingdom > Scotland > Edinburgh > Edinburgh

> Europe > United Kingdom > Scotland > Lothian > Edinburgh

> Popular Themes > Edinburgh


EDITORS COMMENTS
This print showcases Gerard Terborch II's "Portrait of a Young Man" from 1663, held in The National Gallery, London. The image is taken from the renowned publication "A History of Painting, Volume V" by Haldane MacFall, published in 1911. The portrait captures a young African man dressed in vibrant red attire against an opulent baroque interior. His direct gaze exudes confidence and curiosity as he sits comfortably on an exquisite velvet chair. The intricate details of his clothing reveal the craftsmanship and elegance of the seventeenth century fashion. Terborch's masterful use of oil paints brings out the richness and depth of colors, making this portrait truly mesmerizing. The young man's cloak drapes gracefully over his shoulder while delicate fabric textures are beautifully rendered. This print transports us back to a time when artistry flourished during the Baroque era. It serves as a testament to Terborch's skillful technique and ability to capture not only physical likeness but also inner emotions. As we admire this remarkable piece through the lens of history, it reminds us that art has no boundaries – transcending time, race, and culture. This photograph allows us to appreciate both the artistic mastery behind Terborch's work and its significance within our collective heritage.

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