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Pro Ar(e)is Et Focis, 1872. Artist: Joseph Swain
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Pro Ar(e)is Et Focis, 1872. Artist: Joseph Swain
Pro Ar(e)is Et Focis, 1872. A disgusted housemaid shuts the gate to the basement kitchen to the local bobby. There had been a rash of strikes during the year including bakers and carpenters. This particular strike was called by the Metropolitan Police who took action after the dismissal of a man called Goodchild who had been agitating on behalf of the police for increased pay. The other strike referred to in the cartoon was the one taken by workers at the London Gasworks who were taking action following the dismissal of a union worker. From Punch, or the London Charivari, November 30, 1872
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Media ID 14831622
© The Print Collector / Heritage-Images
Gate Heritage Image Partnership Housemaid John Tenniel Joseph Swain Maid Policeman Railings Sir John Tenniel Strike Striker Swain Tenniel
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EDITORS COMMENTS
In this print titled "Pro Ar (e)is Et Focis, 1872" we are transported back to the political turmoil of 19th century Britain. The image depicts a disgusted housemaid firmly shutting the gate to the basement kitchen, denying entry to a local bobby. This powerful cartoon by Joseph Swain sheds light on two significant strikes that occurred during that year. The first strike mentioned in the artwork was initiated by Metropolitan Police officers after one of their own, Goodchild, was dismissed for advocating for better pay. The second strike involved workers at the London Gasworks who took action following the dismissal of a union worker. These strikes were part of a larger wave of labor unrest that plagued various industries throughout the country. Through his intricate engravings and attention to detail, Swain captures not only the tension between different social classes but also highlights gender roles within society. The presence of both male and female figures in this scene emphasizes how people from all walks of life were affected by these strikes. This monochrome print serves as an important historical document, reminding us of past struggles for workers' rights and fair treatment. It is a testament to Joseph Swain's artistic talent and his ability to convey complex political messages through visual storytelling.
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