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Queen Caroline and Mrs Wood, 1820
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Queen Caroline and Mrs Wood, 1820
Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre. Queen Caroline and Mrs Maria Wood fighting, watched by Alderman Matthew Wood
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Media ID 15169360
© London Metropolitan Archives (City of London) / Heritage-Images
Aggression Aggressive Agression Alderman Alderman Of London Angry Argument Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Confrontation George Iv George Iv Of The United Kingdom Georgian Heath King George Iv King Of Great Britain Maria Matthew Matthew W Matthew Wood Paul Pry Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Queen Consort Of George Iv Sir Matthew Sir Matthew Wood Speech Bubble Violence Violent Wife William Heath
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Queen Caroline and Mrs Wood Engaged in a Fiery Confrontation, 1820
EDITORS COMMENTS
. This print captures a dramatic moment from the Brandenburgh House theatricals of 1820. In this scene from a new farce performing at the Hammersmith theatre with great acclaim, we witness an intense clash between Queen Caroline and Mrs Maria Wood. The tension is palpable as these two formidable women engage in a heated argument, watched closely by Alderman Matthew Wood. The image portrays the aggression and anger that permeated British society during the early 19th century. Queen Caroline, known for her tumultuous marriage to King George IV, stands defiantly in her regal attire while Mrs Wood matches her ferocity with equal determination. Their animated expressions reveal their deep-seated animosity towards one another. The etching's vibrant colors bring to life this historical moment filled with political intrigue and personal strife. It serves as a powerful reminder of the challenges faced by women within patriarchal structures during this era. Displayed at Guildhall Library and Art Gallery, this anonymous artwork offers insight into the complex dynamics of power and relationships within British royalty. While it does not mention commercial use or any specific company associated with its creation or distribution, it remains an invaluable piece of historical documentation capturing both public fascination and private turmoil surrounding figures such as Queen Caroline and Prince George IV. As viewers gaze upon this striking image, they are transported back to a time when even those who held positions of authority were not immune to conflict or confrontation – reminding us that beneath royal veneers lie human emotions that transcend time itself.
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