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Scarab with Two Bound Enemies (image 2 of 2), 18th-26th dynasties (1504-525 BCE). Creator: Unknown
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Scarab with Two Bound Enemies (image 2 of 2), 18th-26th dynasties (1504-525 BCE). Creator: Unknown
Scarab with Two Bound Enemies (image 2 of 2), 18th-26th dynasties (1504-525 BCE)
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Media ID 36372345
© Heritage Art/Heritage Images
16th Century Bc 6th Century Bc Adversary Beetle Cream Cream Colour Enemy Insect Insects Late Period New Kingdom Opposing Opposition Rival Rivalry Scarab Scarab Beetle Soapstone Steatite Ancient Egyptian Mizraim
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This scarab print, titled "Scarab with Two Bound Enemies (image 2 of 2)" hails from the 18th-26th dynasties of Ancient Egypt, approximately dating back to the 16th and 6th centuries BC. The intricately carved steatite or soapstone scarab showcases a unique and powerful scene of a scarab beetle, an ancient Egyptian symbol of rebirth and transformation, triumphantly crushing two adversaries beneath its feet. The bound enemies, depicted as small, humanoid figures, are shown with their hands tied behind their backs, symbolizing their defeat and submission. The scarab's powerful legs press down on their chests, emphasizing the beetle's dominance and strength. The enemies' faces exhibit expressions of pain and despair, further highlighting their defeat. The scarab's body is adorned with intricate hieroglyphics and decorative patterns, adding to its regal appearance. The beetle's wings are spread wide, as if ready to take flight, symbolizing the scarab's ability to transcend the earthly realm and ascend to the heavens. The steatite with modern brown color provides a rich, earthy background for the intricate carvings, enhancing the overall visual impact of the piece. This stunning artifact is currently housed at the Los Angeles County Museum of Art (LACMA), where it continues to inspire and captivate visitors from around the world. The Scarab with Two Bound Enemies is a testament to the artistic and cultural heritage of Ancient Egypt, and a reminder of the enduring power and beauty of its art.
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