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Sine Cerere et Baccho Friget Venus, c. 1600. Creator: Jan Saenredam
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Sine Cerere et Baccho Friget Venus, c. 1600. Creator: Jan Saenredam
Sine Cerere et Baccho Friget Venus, c. 1600
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Media ID 36269547
© Heritage Art/Heritage Images
Abraham Bloemaert Amorini Angelic Bacchus Bare Chested Barechested Bloemaert Abraham Ceres Cherubim Cherubs Engraving On Laid Paper Grape Grapes Jan Pietersz Saenredam Jan Pieterszoon Saenredam Jan Saenredam Latin Necklace Saenredam Jan Semi Dress Sickle Tools Venus Wheat Laid Paper Putti Roman Mythology
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EDITORS COMMENTS
Sine Cerere et Baccho Friget Venus," or "Venus Deprived of Ceres and Bacchus," is a captivating engraving created by the Dutch artist Jan Saenredam around the year 1600. This masterpiece, which showcases the influence of Baroque art during the 17th century, is a visual representation of a famous mythological tale from Roman mythology. The image depicts Venus, the goddess of love, reclining on a bed of fruits and flowers. She is shown in a semi-dress, with only a few pieces of jewelry adorning her body. Her bare chest is covered with a veil, adding an air of mystery and allure. The goddess appears lost in thought, her gaze fixed on an empty space, possibly longing for the presence of her children, Ceres and Bacchus, the goddess and god of agriculture and wine, respectively. Surrounding Venus are various putti, or cherubs, who playfully engage with each other, adding a playful and lighthearted element to the scene. Some of these cherubs are shown holding grapes, symbolizing Bacchus, while others hold wheat, symbolizing Ceres. A putto at the bottom of the image holds a sickle and a tool, representing the absence of Ceres, who would typically be depicted wielding these items. The engraving, which is on laid paper, is a monochrome work, with only shades of black and white. The intricate details and fine lines showcase the exceptional skill of Jan Saenredam, who expertly captured the essence of the mythological tale and the emotions of the characters involved. This work of art is a testament to the rich cultural heritage of the Low Countries during the Baroque era and continues to inspire and intrigue viewers to this day. This engraving is part of the collection of the National Gallery of Art in Washington, D.C., and is a must-see for anyone interested in the history of art, mythology, or the Baroque period.
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