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Sketch for the church of Saint-Gervais... c.1869-1872. Creator: Sébastien Louis Guillaume Norblin de la Gourdaine
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Sketch for the church of Saint-Gervais... c.1869-1872. Creator: Sébastien Louis Guillaume Norblin de la Gourdaine
Sketch for the church of Saint-Gervais: Moses receiving the tablets of the law from God; Jesus and the four evangelists, between 1869 and 1872. (Esquisse pour l'eglise Saint-Gervais : Moise recevant de Dieu les tables de la loi. Jesus et les quatre evangelistes)
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Media ID 36251613
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Dove Evangelist Evangelists Exodus Hand Gestures Holy Ghost Moses Prophet Ray Of Light Rays Of Light Saints Tablets Of Stone Ten Commandments Interior Design Old Testament Paris Museums Petit Palais Santo
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EDITORS COMMENTS
This sketch by Sébastien Louis Guillaume Norblin de la Gourdaine, titled "Sketch for the church of Saint-Gervais: Moses receiving the tablets of the law from God; Jesus and the four evangelists," dates back to the 1869-1872 period. Norblin de la Gourdaine, a renowned French painter of the 19th century, masterfully captures the essence of religion and spirituality in this magnificent work of art. At the center, Moses stands in awe as he receives the Ten Commandments from God, represented by a divine hand emerging from the clouds. Above, Jesus Christ is depicted with the four evangelists - Matthew, Mark, Luke, and John - each identified by their unique symbols. The evangelists are shown in various poses, gesturing towards the radiant rays of light emanating from Jesus, symbolizing the spread of the gospel. The painting is rich in symbolism and detail. The Old Testament scene of Moses and the Ten Commandments contrasts beautifully with the New Testament representation of Jesus and the evangelists. The use of color and light adds depth and dimension to the composition, creating an ethereal and otherworldly atmosphere. This sketch was likely a preliminary design for a larger work of art intended for the interior decoration or interior design of the Church of Saint-Gervais in Paris. The intricate details and attention to religious iconography suggest that it was meant to be a significant and impactful piece within the religious institution. The painting showcases the skill and talent of Norblin de la Gourdaine, who expertly blends the natural world with the divine. The presence of animals and birds in the scene adds a sense of harmony and balance, reflecting the interconnectedness of all creation. This sketch is a testament to the artist's commitment to preserving the heritage of Christian art and the enduring power of religious imagery.
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