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Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
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Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]
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Media ID 14983412
© The Print Collector
Action Anatomical Anatomical Study Anatomy Copyspace Da Vinci Drawings Of Leonardo Hind Leg Hitchcock Leonardo Leonardo Da Leonardo Da Vinci Leonardo De Vinci Rearing Reynal Reynal Hitchcock Silverpoint Sketchbook Vinci
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EDITORS COMMENTS
This print showcases the incredible talent of Leonardo da Vinci in his study of a rearing horse and its hind-quarters. Created around 1480, this artwork is a testament to da Vinci's mastery of both art and science. The side view perspective allows us to appreciate the intricate details that da Vinci meticulously captured in his sketchbook. The horse's powerful muscles are beautifully rendered, showcasing its strength and grace in mid-action. This anatomical study not only demonstrates da Vinci's keen observation skills but also highlights his deep understanding of equine anatomy. As one of the greatest artists of the Renaissance period, da Vinci seamlessly blended art with scientific inquiry. His drawings were not just aesthetically pleasing but served as valuable references for future generations interested in studying anatomy or capturing realistic depictions of animals. This particular print comes from "The Drawings of Leonardo da Vinci" published by Reynal & Hitchcock in 1945, making it accessible to art enthusiasts even decades after its creation. Its monochrome presentation adds an air of timelessness to the piece, allowing viewers to appreciate every stroke made by the master himself. Whether you're an admirer of fine arts or someone fascinated by scientific exploration, this print offers a glimpse into Leonardo da Vinci's genius mind and serves as a reminder that true brilliance transcends time and place.
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