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Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to... c. 1800. Creator: Henry Fuseli

Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to... c. 1800. Creator: Henry Fuseli


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Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to... c. 1800. Creator: Henry Fuseli

Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso), c. 1800

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Media ID 24368323

© Heritage Art/Heritage Images

Buonarroti Michelangelo English Text Fuessli Heinrich Fuseli Henri Fuseli Henry Fuseli Henry The Younger Fuseli Jean Henri Fussli Heinrich Fussli Johann Heinrich Heinrich Fuessli Heinrich Fussli Henri Fuseli Henry Fuseli Henry Fuseli Esq Ra Johann Heinrich Fussli M Angelo Michael Angelo Michelangelo Michelangelo Buonarroti Portraitprints And Drawings Romantic Era Sistine Chapel Studies Swiss Switzerland Vatican Western Script Ignudo Nakedness Pen And Ink Drawing


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Western Mouse

> Arts > Art Movements > Romanticism

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > F > Henry Fuseli

> Arts > Artists > Michelangelo Buonarroti > Michelangelo's drawings

> Arts > Artists > Michelangelo Buonarroti > Sistine Chapel

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo > Sistine Chapel

> Arts > Artists > Michelangelo > Vatican City

> Arts > Artists > Michelangelo


EDITORS COMMENTS
This print captures a fascinating artwork titled "Study of Ignudo in Sistine Chapel, Rome" by Henry Fuseli. Created in the 19th century, this drawing showcases Fuseli's meticulous attention to detail and his admiration for Michelangelo Buonarroti's work. The image depicts an ignudo, a nude male figure, seated to the upper right of Prophet Jeremiah in the Sistine Chapel. Fuseli's pen and ink technique beautifully brings out the intricate lines and shading of the figure, emphasizing its muscular form. The use of black and white adds a timeless quality to the artwork. Fuseli was an English artist known for his imaginative and often dark compositions. His fascination with human anatomy is evident in this study as he skillfully captures every contour and shadow on paper. This piece invites viewers to appreciate both Fuseli's artistic talent and his deep appreciation for Michelangelo's masterpieces. It serves as a testament to the enduring influence that Renaissance art continues to have on artists even centuries later. Displayed at the Art Institute of Chicago, this print offers art enthusiasts an opportunity to delve into Fuseli's interpretation of one small aspect within Michelangelo's grand frescoes. With its rich historical context and exquisite craftsmanship, this artwork remains a significant contribution to British art heritage.

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