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The Syon Cope, 1310-1320, (1902)
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The Syon Cope, 1310-1320, (1902)
The Syon Cope, 1310-1320, (1902). The Syon Cope is a Christian liturgical vestment associated with Syon Abbey, Middlesex (England), which was made between 1300 and 1320. From the collection of the Victoria and Albert Museum, London. From Social England, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1902]
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Media ID 14989196
© The Print Collector
Cassell Co Cassell Company Cope Hd Traill Henry Duff Henry Duff Traill Js Mann Mann Museum Of Ornamental Art Social England Traill Victoria Albert Museum Victoria And Albert Museum White Background Cassell And Company Ltd Embroidery Fourteenth Century
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EDITORS COMMENTS
This print showcases the exquisite Syon Cope, a Christian liturgical vestment steeped in history and religious significance. Created between 1300 and 1320, this remarkable piece is associated with Syon Abbey in Middlesex, England. The photograph belongs to the esteemed collection of the Victoria and Albert Museum in London. The image captures the cope's intricate embroidery against a pristine white background, allowing every delicate detail to shine through. Its vibrant colors and decorative motifs transport us back to the 14th century when it was crafted with utmost care and skill. As we gaze upon this relic from centuries past, we are reminded of its cultural importance as an object of devotion within Christianity. The Syon Cope represents not only a garment but also a symbol of faith and spirituality. Through this photograph, we are granted access to a moment frozen in time—a glimpse into both religious practices and artistic craftsmanship that have shaped English heritage. It serves as a testament to the rich tapestry of history woven by our ancestors. This print offers us an opportunity to appreciate not only its aesthetic beauty but also its historical significance—an artifact preserved for generations to come thanks to institutions like the Victoria and Albert Museum.
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